Edition with comment of the correspondence between Heinrich Besseler and Jacques Handschin (1925-1954)

带有海因里希·贝塞勒和雅克·汉钦（1925-1954）之间通信评论的版本

• 批准号: 374339592
• 负责人: Professor Dr. Thomas Schipperges
• 金额: --
• 依托单位: Musikwissenschaftliches Institut
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2018-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/374339592?language=en
• 关键词: Edition; comment; correspondence; between; Heinrich

The correspondence between Heinrich Besseler and Jacques Handschin from 1925 to 1954 (the year before Handschin's death) represents a unique documentation of the history of musicology and the history of science. The continuous effectiveness of these two historians of music up to the present time is unique within the discipline. It reflects a) the constant efforts of both researchers to interpret the sources of mediecal music, b) different methodological approaches in the construction of history, and c) different ideological and culturalpolitical positioning in the Contemporary History before and after 1933 and 1945. Besseler has followed the strict philological path of his teacher in Goettingen, Friedrich Ludwig, and Handschin, influenced by Erich von Hornbostel and Robert Lachmann, has pursued the inclusion of musicethnological concepts. With the Nazi's seizure of power (so called Machtübernahme), the integration of science into the world politics is increasingly taking place (also in the personal environment of both researchers: Hornbostel and Lachmann were expelled, Besseler placed his student Manfred Bukofzer to Handschin in Basel, but when Handschin asked Besseler to write an expert opinion letter for Otto Gombosi he refused for political reasons. The correspondence illuminates also some important points of science communication, e.g. the replacement of professorship of Adolf Sandberger in Munich in 1930 or the congress of the IGMW in Barcelona in 1936. Finally, the exchange is a clear and lively reflection of the situation of the German-speaking musicology in the early post-war period. The correspondence is a central source of the history of musicology and the Contemporary History; it was closely attended to terms of both aspects but up to now only in excerpts.

海因里希·贝塞勒（Heinrich Besseler）和雅克·赫奇（Jacques Handschin）从1925年到1954年（手chin逝世前一年）之间的对应关系代表了音乐学史和科学史的独特文献。到现在为止，这两个音乐史学家的持续有效性在学科中是独一无二的。它反映了a）两位研究人员不断努力解释中配音音乐的来源，b）在历史建构中的不同方法学方法，c）在1933年和1945年之前和1945年之后的当代历史上不同的理想主义和文化政治地位。贝塞勒（Besseler）遵循了他在弗里德里奇·路德（Friedrich Ludwig）的老师，弗里德·洛德（Handrach Ludwig），有影响力的弗里伯（Ludwig），有影响力的人，有影响力的老师，遵循了他老师的严格道路。追求音乐概念的包含。 With the Nazi's seizure of power (so called Machtübernahme), the integration of science into the world politics is increasingly taking place (also in the personal environment of both researchers: Hornbostel and Lachmann were explored, Besseler placed his student Manfred Bukofzer to Handschin in Basel, but when Handschin asked Besseler to write an expert opinion letter for Otto Gombosi he refused for political reasons. The通讯还可以启用科学沟通的一些重要点方面，但直到现在只有例外。