Speech choir - forms and functions in music
合唱团 - 音乐中的形式和功能
基本信息
- 批准号:465195544
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:德国
- 项目类别:Research Grants
- 财政年份:
- 资助国家:德国
- 起止时间:
- 项目状态:未结题
- 来源:
- 关键词:
项目摘要
Choric speech is omnipresent. Speech Choir is a worldwide social phenomenon. However, choral speaking is also often performed in an artistic way. In many cases, this form of performance is musically concentrated into a composition. The speaking choir has a musical side.Central elements of a musical art form are found in the spoken word (solo or choral). The relationship between music and language is one of the most frequently treated fields of musicological research. In addition to the treatment of the word-sound-relationship in texts, research has focused on the treatment of the speaking voice and speech in music. Latest Schönberg's Pierrot lunaire (1912) made the fixation of pitch, intonation and expression of speaking voices a lasting awareness as a fundamental innovation. With the speech sound compositions of the musical avant-garde since the 1950s, the theatricality of artistic speech came into focus. As a rule, scientific studies are based on soloistic speech in music or as music. Choral speech is only marginally treated. Vice versa, the scientific treatment of choral speaking has so far concentrated only on phenomena in the peripheral fields of musicology: on the origin of the chorus in ancient drama in connection with stage and movement, on modern adaptations of speaking choirs in theatre, on the lay choral movement with choral speaking elements that are often pedagogically oriented, on transitions between singing and speaking in the field of speech science and speech education, and finally on socially oriented areas of application of choral speaking, for example at political rallies or sporting events.In its really different origins and in its musical peculiarity on the different levels of its appearance as a form of performance, composition and ensemble, the speech choir has not been systematically researched. This project is dedicated to this.
合唱演讲无所不在。言语合唱团是一种全球的社会现象。但是,合唱的演讲也经常以艺术的方式进行。在许多情况下,这种表现形式在音乐上集中在组成中。讲话合唱团具有音乐方面。在口语(独奏或合唱)中找到了音乐艺术形式的中心元素。音乐与语言之间的关系是音乐学研究最常见的领域之一。除了在文本中处理单词相关性的处理外,研究还集中在音乐中的语音和语音上。最新的Schönberg的Pierrot Lunaire(1912)使音调,语调和表达的声音固定在持久的意识中,这是一种基本的创新。自1950年代以来,随着音乐前卫的言论声音作品,艺术演讲的戏剧性开始了。通常,科学研究基于音乐或音乐中的独奏演讲。合唱演讲仅受到少量处理。反之亦然,到目前为止,合唱的科学待遇仅集中在音乐学领域的现象上:关于古代戏剧中合唱的起源,与舞台和运动有关,现代的演讲合唱团,在戏剧中的现代改编,在戏剧性的演讲中,与合唱的演讲往往是在教育和言语上进行的,以及在传统上进行的言论,以及在传统上进行言论,并在传统上进行了言论,并在言论上进行了言论,并在传教中进行了介绍,并且在言论中,在交通方面,在言语中进行了言论,又是言论的,又是言语的,又是言论的,又是言语的,又是言语的,又是言论的,又是言论的,又是在言论自语。合唱讲话的定向领域,例如在政治集会或体育赛事中,其起源和音乐独特性在其外观的不同层次上是一种表演,构图和合奏的形式,言语合唱团并未被系统地研究。这个项目是为此致力的。
项目成果
期刊论文数量(0)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
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Professor Dr. Thomas Schipperges其他文献
Professor Dr. Thomas Schipperges的其他文献
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{{ truncateString('Professor Dr. Thomas Schipperges', 18)}}的其他基金
Edition with comment of the correspondence between Heinrich Besseler and Jacques Handschin (1925-1954)
带有海因里希·贝塞勒和雅克·汉钦(1925-1954)之间通信评论的版本
- 批准号:
374339592 - 财政年份:2017
- 资助金额:
-- - 项目类别:
Research Grants
Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland
战后时期音乐生活的连续性和中断项目第三部分:过去的科学和政治史——战后德国早期的音乐学研究和教学
- 批准号:
138279964 - 财政年份:2009
- 资助金额:
-- - 项目类别:
Research Grants
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