Speech choir - forms and functions in music
合唱团 - 音乐中的形式和功能
基本信息
- 批准号:465195544
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:德国
- 项目类别:Research Grants
- 财政年份:
- 资助国家:德国
- 起止时间:
- 项目状态:未结题
- 来源:
- 关键词:
项目摘要
Choric speech is omnipresent. Speech Choir is a worldwide social phenomenon. However, choral speaking is also often performed in an artistic way. In many cases, this form of performance is musically concentrated into a composition. The speaking choir has a musical side.Central elements of a musical art form are found in the spoken word (solo or choral). The relationship between music and language is one of the most frequently treated fields of musicological research. In addition to the treatment of the word-sound-relationship in texts, research has focused on the treatment of the speaking voice and speech in music. Latest Schönberg's Pierrot lunaire (1912) made the fixation of pitch, intonation and expression of speaking voices a lasting awareness as a fundamental innovation. With the speech sound compositions of the musical avant-garde since the 1950s, the theatricality of artistic speech came into focus. As a rule, scientific studies are based on soloistic speech in music or as music. Choral speech is only marginally treated. Vice versa, the scientific treatment of choral speaking has so far concentrated only on phenomena in the peripheral fields of musicology: on the origin of the chorus in ancient drama in connection with stage and movement, on modern adaptations of speaking choirs in theatre, on the lay choral movement with choral speaking elements that are often pedagogically oriented, on transitions between singing and speaking in the field of speech science and speech education, and finally on socially oriented areas of application of choral speaking, for example at political rallies or sporting events.In its really different origins and in its musical peculiarity on the different levels of its appearance as a form of performance, composition and ensemble, the speech choir has not been systematically researched. This project is dedicated to this.
合唱的演讲无处不在。演讲合唱团是一种世界性的社会现象。然而,合唱也经常以一种艺术的方式进行表演。在许多情况下,这种形式的表演在音乐上集中在一首曲子中。演唱合唱团有音乐的一面。音乐艺术形式的中心元素在口语中(独唱或合唱)。音乐和语言之间的关系是音乐学研究中最常见的领域之一。除了文本中的词-声音-关系的处理外,研究的重点还集中在音乐中说话的声音和言语的处理上。最新的舍恩伯格的皮埃罗·卢内尔(1912年)将说话声音的音调、语调和表达的固定作为一项根本性的创新而成为一种持久的意识。自20世纪50年代以来,随着音乐先锋派的语音创作,艺术演讲的戏剧性开始受到关注。通常,科学研究是基于音乐中或作为音乐的独奏演讲。合唱演讲只得到了轻微的处理。相反,到目前为止,对合唱的科学处理只集中在音乐学的边缘领域:古代戏剧中合唱的起源与舞台和动作有关,剧院合唱的现代改编,带有合唱元素的平实合唱动作,通常是以教学为导向的,在言语科学和言语教育领域,歌唱和说话之间的过渡,以及最后合唱应用的面向社会的领域,例如在政治集会或体育活动中。合唱的真正不同的起源和作为表演、作曲和合唱形式出现的不同层次的音乐特性,演唱合唱团还没有得到系统的研究。本项目致力于此。
项目成果
期刊论文数量(0)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
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Professor Dr. Thomas Schipperges其他文献
Professor Dr. Thomas Schipperges的其他文献
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{{ truncateString('Professor Dr. Thomas Schipperges', 18)}}的其他基金
Edition with comment of the correspondence between Heinrich Besseler and Jacques Handschin (1925-1954)
带有海因里希·贝塞勒和雅克·汉钦(1925-1954)之间通信评论的版本
- 批准号:
374339592 - 财政年份:2017
- 资助金额:
-- - 项目类别:
Research Grants
Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland
战后时期音乐生活的连续性和中断项目第三部分:过去的科学和政治史——战后德国早期的音乐学研究和教学
- 批准号:
138279964 - 财政年份:2009
- 资助金额:
-- - 项目类别:
Research Grants
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