Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland

在社会和政治以及文化和科学中，1945年被称为零年的转折点受到了质疑。我们的项目专注于战后初期(1945-1955)德国音乐学领域内的人和主题的连续性和间断性。只有广泛和系统地收集档案资料，才能为研究这一时期大学和机构中存在的音乐学研究和教学提供必要的框架。收集和评价有关内部程序的信息以及围绕评估战后音乐学教席的理由，将使这一阶段的音乐学历史更加透明。一个主要的问题涉及音乐学如何面对过去的纳粹主义问题，以及失去地位的学者在去名化阶段后重新获得地位的策略。从1949年起，每一起案件都受到了在德国成立的音乐学者和音乐组织和机构网络的影响，越来越多地是分开的。例如，音乐学主席职位的评估和人员配置问题基本上是由相同的人描述的。我们研究项目的核心任务是档案资源的获取、开发和处理。在第一阶段，我们系统地介绍了德国的来源。下一阶段涉及扩大我们的素材来源，包括瑞士和奥地利德语地区的音乐机构，以及中欧和东欧一些国家的音乐机构--这些地区在1945年之前属于德国帝国，在1945年之前或之后一直是德国音乐学家的工作场所，或对他们产生了影响。此外，1945-1955年间德语教学的系统重构和内容解码也应扩大到邻国。这些材料的示范处理将在特定的文章和四本计划出版的专著中进行。两卷正在准备出版的注释版本，其中包含H.Besseler与J.Handschin，R.von Ficker，F.Blume，A.Schmitz的通信。一卷文件将提供对不同类型来源的洞察。公关活动将包括展览和不同的讲座独奏会节目，以音乐学家的作品为特色。最终，我们将描述和定义从19世纪到21世纪在德语地区的音乐学的长期发展。将编写该学科第一部系统的、以来源为基础的综合百科全书，其中包括人们及其研究的肖像、他们的联系和网络、机构及其变革以及音乐学在社会文化发展中的整合。

In society and politics as well as in culture and science, the turning point of 1945 as 'Year Zero' has been called into question. Our project focuses on continuity and discontinuity of persons and subjects within the field of musicology in Germany during the early postwar period from 1945 to 1955. Only a widespread and systematic collection of archival sources will provide the necessary framework to study musicological research and teaching as it existed in universities and institutions during this period. Collection and evaluation of information regarding internal procedures as well as justifications surrounding the assessment of post-war musicology chairs will make this phase of musicological history more transparent. One main question involves the way musicology confronts the issue of nazism in its past, and the strategies by which scholars who had lost their positions regained them after the phase of denazification. Each case was influenced by the network of musicologists and musicological organizations and institutions founded in Germany, from 1949 onwards more and more separately. The question of assessment and staffing of musicological chair positions, for example, were descided largely by the same people.The core task of our research project is the acquisition, development and processing of archival sources. During the first phase we covered systematically the sources in Germany. The next phase involves extending our source material to include musicological institutions in German-speaking areas in Switzerland and Austria, as well as in selected countries in Central and Eastern Europe - areas which, until 1945, belonged to the 'Deutsches Reich', had been working place of German musicologists before or after 1945 or influenced them. Also the systematic reconstruction and content decoding of German teaching between 1945 and 1955 shall be extended with the neighbour countries. The exemplary processing of the materials will be done in specific articles and in four planned monographs. Two volumes are in preparation for the publication of an annotated edition containing the correspondence of H. Besseler with J. Handschin, R. von Ficker, F. Blume, A. Schmitz. A document volume will offer insight into different types of sources. Public relations activities will include a exhibition as well as different lecture recital programs featuring works composed by musicologists. The total source material will be made available by means of an online database at the end of the second phase of the project.Ultimately, we will describe and define the longue durée of musicology in German-speaking areas from the 19th until the 21st century. The first systematically source-based comprehensive encyclopedia of the discipline will be prepared, containing portraits of people and their research, their connections and networks, institutions and their transformations as well as the integration of musicology in sociocultural developments.