Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland

战后时期音乐生活的连续性和中断项目第三部分：过去的科学和政治史——战后德国早期的音乐学研究和教学

• 批准号: 138279964
• 负责人: Professor Dr. Thomas Schipperges
• 金额: --
• 依托单位: Musikwissenschaftliches Institut
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2009
• 资助国家: 德国
• 起止时间: 2008-12-31 至 2015-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/138279964?language=en
• 关键词: Kontinuit; ten; und; Br; che

In society and politics as well as in culture and science, the turning point of 1945 as 'Year Zero' has been called into question. Our project focuses on continuity and discontinuity of persons and subjects within the field of musicology in Germany during the early postwar period from 1945 to 1955. Only a widespread and systematic collection of archival sources will provide the necessary framework to study musicological research and teaching as it existed in universities and institutions during this period. Collection and evaluation of information regarding internal procedures as well as justifications surrounding the assessment of post-war musicology chairs will make this phase of musicological history more transparent. One main question involves the way musicology confronts the issue of nazism in its past, and the strategies by which scholars who had lost their positions regained them after the phase of denazification. Each case was influenced by the network of musicologists and musicological organizations and institutions founded in Germany, from 1949 onwards more and more separately. The question of assessment and staffing of musicological chair positions, for example, were descided largely by the same people.The core task of our research project is the acquisition, development and processing of archival sources. During the first phase we covered systematically the sources in Germany. The next phase involves extending our source material to include musicological institutions in German-speaking areas in Switzerland and Austria, as well as in selected countries in Central and Eastern Europe - areas which, until 1945, belonged to the 'Deutsches Reich', had been working place of German musicologists before or after 1945 or influenced them. Also the systematic reconstruction and content decoding of German teaching between 1945 and 1955 shall be extended with the neighbour countries. The exemplary processing of the materials will be done in specific articles and in four planned monographs. Two volumes are in preparation for the publication of an annotated edition containing the correspondence of H. Besseler with J. Handschin, R. von Ficker, F. Blume, A. Schmitz. A document volume will offer insight into different types of sources. Public relations activities will include a exhibition as well as different lecture recital programs featuring works composed by musicologists. The total source material will be made available by means of an online database at the end of the second phase of the project.Ultimately, we will describe and define the longue durée of musicology in German-speaking areas from the 19th until the 21st century. The first systematically source-based comprehensive encyclopedia of the discipline will be prepared, containing portraits of people and their research, their connections and networks, institutions and their transformations as well as the integration of musicology in sociocultural developments.

在社会，政治以及文化和科学中，1945年的“零年”的转折点受到质疑。我们的项目着重于1945年至1955年的战后早期，德国音乐学领域的人和受试者的连续性和不连续性。只有在此期间，只有在大学和学院中存在的音乐学研究和教学，只有一个宽度和系统的档案资料收集才能为研究音乐学研究和教学提供必要的框架。收集和评估有关内部程序的信息以及围绕战后音乐椅评估的理由，这将使音乐学历史的这一阶段更加透明。一个主要问题涉及音乐学在过去的纳粹主义问题以及失去立场的学者在纳粹主义阶段仍然存在的策略的方式。从1949年开始，每个案例都受音乐学家，音乐组织和音乐学组织和机构网络的影响，从1949年开始越来越分开。例如，音乐学椅子职位的评估和人员配备问题主要由同一人降临。我们研究项目的核心任务是对档案资源的获取，开发和处理。在第一阶段，我们系统地覆盖了德国的来源。下一阶段涉及将我们的原始资料扩展到包括瑞士和奥地利德语地区的音乐学机构，以及中欧和东欧的某些国家 - 直到1945年，该地区属于“ Deutsches Reich”，一直属于1945年之前或之后的德国音乐学家或影响他们的“ Deutsches Reich”。同样，在1945年至1955年之间，德国教学的系统重建和内容解码也应与邻国扩展。这些材料的示例处理将在特定文章和四个计划的专着中进行。两卷正在准备出版的带注释版本，其中包含H. Besseler与J. Handschin，R。VonFicker，F。Blume，A。Schmitz的信件。文档卷将提供有关不同类型来源的洞察力。公共关系活动将包括展览以及由音乐学家组成的作品的不同讲座计划。总的材料将在项目第二阶段结束时通过在线数据库提供。从19世纪到21世纪，我们将描述并定义德语中德语领域的漫长音乐学区域。该学科的第一个基于系统的综合百科全书将制作，其中包含人及其研究的肖像，他们的联系和网络，网络，机构及其转型以及音乐学在社会文化发展中的融合。