Pitch Gliding with 'Voiced Consonants': Function and Application of a Means of Performance Style in Late-Romantic Lieder Singing

“浊辅音”的音高滑行：一种演奏风格手段在晚期浪漫艺术歌曲演唱中的作用与应用

• 批准号: 388847273
• 负责人: Dr. Kilian Sprau
• 金额: --
• 依托单位: Fachgruppe Musiktheorie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/388847273?language=en
• 关键词: Pitch; Gliding; Voiced; Consonants; Function

Gliding transitions from pitch to pitch, which can be deduced from written sources as well as from the earliest recordings, are one of the most common means of expression used by singers and (string) instrumental players during the late 19th and early 20th century. Given the omnipresence portamento and related devices of performance style these days, the extent to which they have disappeared from the performance practice of Western art music during the 20th century is remarkable. Even in musicological research the topic of portamento has only rarely come up: Versus aspects of time organization (e.g. agogics, choice and consistency of tempo), pitch gliding met relatively little scholarly interest till now. This is where my study will apply. My project will explore a special case of the use singers made and make of portamento: pitch gliding achieved not on vowels but - more subtly - on 'voiced consonants' ('Klinger'). This is a subject that has hardly ever been examined so far. The project will comprise an analysis of recordings, complemented by an evaluation of written sources. The corpus to be analyzed consists of representative recordings of lieder by the composer Richard Strauss; it allows a longitudinal cut through the recording history of this repertoire since the beginning of the recording era. The description of my project cites preliminary studies on which my work is based, states the purposes of my study and explicates the methods I will use.

从音高到音高的滑动过渡，可以从书面资料以及最早的录音中推断出来，是世纪末和20世纪初歌手和（弦乐）乐器演奏者最常见的表达方式之一。鉴于滑音和相关的表演风格手段在当今无所不在，它们在世纪从西方艺术音乐的表演实践中消失的程度是引人注目的。即使在音乐学研究中，滑音的主题也很少出现：相对于时间组织的方面（例如，agogics，克里思的选择和一致性），音高滑音到目前为止相对较少受到学术界的关注。这就是我的研究将适用。我的项目将探索歌手使用滑音的一个特殊情况：音高滑动不是在元音上实现的，而是更微妙地在“浊辅音”（“克林格”）上实现的。这是一个迄今为止几乎从未被研究过的问题。该项目将包括对录音的分析，并辅之以对书面资料来源的评价。待分析的语料库由作曲家理查德·施特劳斯的艺术歌曲的代表性录音组成;它允许纵向切割自录音时代开始以来的这一曲目的录音历史。我的项目描述引用了我的工作所基于的初步研究，陈述了我的研究目的，并阐明了我将使用的方法。