The 'Galleria degli autoritratti' of the Uffizi Gallery. Patterns of production, perception and display of an early modern collection of artists self-portraits

乌菲兹美术馆的“Galleria degli autoritratti”。

• 批准号: 404420783
• 负责人: Professorin Dr. Valeska von Rosen
• 金额: --
• 依托单位: Institut für Kunstgeschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2020-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/404420783?language=en
• 关键词: Galleria; degli; autoritratti; Uffizi; Gallery.

The >Galleria degli autoritratti< of the Florentine Uffizi houses by far the most extensive and ambitious of all the collections of self-portraiture in early modern times. The Collection was founded by Cardinal Leopoldo de’ Medici (1617-75), who also narrowed its scope towards an inner-pictorial focus on the artist’s self-creative activity. Later, Grand Duke Cosimo III. (1670-1723) significantly expanded, arranged and systematized the collection, specifically involving the portraits of foreign artists. He not only transferred encyclopedic notions of the utmost completeness to a special collection, but also retained the genuine interest in the productive aspect of artistic self-expression in the act of painting. Due to the donation of the Medici possessions to Tuscany by his daughter Anna Maria Luisa in 1743, the collection of self-portraits, by the time approximately two-hundred works, gained traction and essentially a new profile. In close collaboration with the Habsburg-Lorraine Grand Dukes, the first >directors< of the >museum< devised projects in terms of promotion the collections to a wider public audience, both by publications and opening the museum to visitors. Consequently, the collection increasingly attracted artists from various European countries, who manufactured and donated their own portraits, frequently with reference to existing portraits within the collection. In addition, the Lorraine-Habsburg Grand Duke of Tuscany Peter Leopold (1765-1790) expanded the holdings considerably by granting donations from his ancestral possessions. Since the death of Peter Leopoldo in 1790, the collection of self-portraits continued to grow through various donations, but had not been expanded systematically. Currently, the collection holds more than 2.000 works.This project is focused on the period between the construction and systematization of the collection by Leopoldo and Cosimo III. de’ Medici and the completion of their transformation into a public, generally accessible and well-publicized collection towards the end of the 18th-century. Based on rich and so far, only partially evaluated archival material and the autopsy of paintings (hitherto not even accessible to the scientific community), this project aims to reconstruct the relevant practices associated with the construction, the order and visualization of a collection that was genuinely developed as a special-collection, directed towards solely to early modern self-portraits. Furthermore, by means of evidence of communication regarding the portraits, the project endeavors to reconstruct the modes of reception of early modern self-portraits, with the premise that these verbal testimonies of reception also shed new light on the productive framework of these pictures.

佛罗伦萨乌菲齐美术馆的Galleria degli autoritratti是迄今为止最广泛和雄心勃勃的现代早期自画像收藏。该系列由红衣主教Leopoldo de' Medici（1617-75）创立，他还将其范围缩小到艺术家自我创造活动的内部图像焦点。后来，大杜克三世。（1670-1723）显着扩大，安排和系统化的收集，特别是涉及外国艺术家的肖像。他不仅将最完整的非传统观念转移到一个特殊的收藏中，而且还保留了对绘画行为中艺术自我表达的生产性方面的真正兴趣。1743年，他的女儿安娜玛丽亚·路易莎将美第奇家族的财产捐赠给了托斯卡纳，到那时，大约有200幅自画像作品获得了关注，基本上是一个新的形象。在与哈布斯堡-洛林大公的密切合作下，第一个&gt;导演< of the >博物馆&lt;设计了向更广泛的公众宣传藏品的项目，包括出版物和向游客开放博物馆。因此，该系列越来越多地吸引了来自欧洲各国的艺术家，他们制作和捐赠自己的肖像，经常参考收藏中的现有肖像。此外，托斯卡纳的洛林-哈布斯堡大杜克彼得·利奥波德（Peter Leopold，1765-1790年）通过捐赠祖先的财产，大大扩大了土地。自1790年彼得·利奥波德去世后，自画像的收藏通过各种捐赠继续增长，但没有系统地扩大。目前，该收藏品拥有2000多件作品。该项目的重点是莱奥波尔多和科西莫三世的收藏品的建设和系统化之间的时期。德美第奇和他们的转变成一个公共的完成，普遍访问和广为宣传的集合对18世纪末。基于丰富的和迄今为止，只有部分评估的档案材料和绘画的解剖（迄今为止甚至无法进入科学界），该项目旨在重建与建筑相关的相关实践，一个真正作为特殊收藏开发的收藏品的秩序和可视化，仅针对早期现代自画像。此外，通过有关肖像的传播证据，该项目努力重建早期现代自画像的接受模式，前提是这些接受的口头证词也为这些图片的生产框架提供了新的光线。