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Art Historiography and Artist's Biography in the Seventeenth Century. Giovanni Pietro Bellori's Vite in their Context

十七世纪的艺术史学和艺术家传记。

基本信息

批准号：
256837748
负责人：
Professorin Dr. Valeska von Rosen
金额：
--
依托单位：
Institut für Kunstgeschichte
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2014
资助国家：
德国
起止时间：
2013-12-31 至 2018-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/256837748?language=en
关键词：
Art Historiography Artist Biography Seventeenth

项目摘要

In his Vite of seventeenth-century painters, sculptors and architects, published in 1672, Giovanni Pietro Bellori combined the traditional biographical functions of mediating information and evoking a lively image of the personalities characterized, with an interest in art historiography. Inevitably, he grappled with and partially rejected Giorgio Vasari's teleologically constructed historical narrative which by means of chronologically arranged Lives, reinforced by value categories, reconstructs "the" history of "the art". With his Vite, Bellori formulates implicitly and explicitly a more open model for the descriptiveness of the development of the arts. Over the last eight years, the German group of editors of Bellori's Vite, situated in Mainz, has based its work on numerous new, more recent perceptions with regard to textual structure and its genesis from 1640 to 1672, as well as in reference to Bellori's art theoretical premises. In a close reading of the Vite, the accompanying framework texts and further writings by Bellori, the project investigates the Italian author's intellectual position in reference to the task of writing art history by means of artists' biographies after Vasari. On this basis, the group places the Vite in its different stages of conception since the 1640s in relation to current models of artists' biographies and generally to models of knowledge classification and representation as well as seventeenth-century historiography, which in view of the immense expansion of knowledge reassessed its premises for scientific writing while creating new forms of representation. The Vite of the Florentine Filippo Baldinucci (1624-1679) will constitute another focal point of the investigation.

在1672年出版的《17世纪画家、雕塑家和建筑师的邀请》（Vite of seventeenth-century painters，sculptors and architectures）中，乔瓦尼·彼得罗·贝洛里（Giovanni Pietro Bellori）将传统的传记功能--传递信息和唤起人物的生动形象--与对艺术史学的兴趣结合起来。不可避免地，他与乔治·瓦萨里的目的论构建的历史叙事进行了斗争，并部分拒绝了这种叙事，这种叙事通过按时间顺序排列的生活，通过价值类别来加强，重建了“艺术”的“历史”。通过他的Vite，Bellori含蓄地和明确地为艺术发展的持续性制定了一个更开放的模型。在过去的八年里，位于美因茨的Bellori's Vite的德国编辑小组将其工作建立在许多新的，更近的关于文本结构及其起源（1640年至1672年）的看法基础上，并参考了Bellori的艺术理论前提。通过对《维特》、相关框架文本和贝洛里的进一步著作的仔细阅读，该项目研究了意大利作家在通过瓦萨里之后的艺术家传记撰写艺术史方面的知识立场。在此基础上，该小组将Vite置于自17世纪40年代以来的不同概念阶段，与当前的艺术家传记模型以及知识分类和表征模型以及17世纪的历史编纂学有关，鉴于知识的巨大扩展，重新评估了其科学写作的前提，同时创造了新的表征形式。佛罗伦萨人菲利波·巴尔迪努奇（Filippo Baldinucci，1624-1679）的来访将构成调查的另一个焦点。