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PATHOLOGY OF MIASMA

瘴气的病理学

基本信息

批准号：
05610037
负责人：
MENJU Shin-ichiro
金额：
$ 0.9万
依托单位：
YAMANASHI UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1993
资助国家：
日本
起止时间：
1993 至 1994
项目状态：
已结题

项目摘要

Continuing the study of "PATHOLOGY OF MIASMA," which was granted the aid in 1993, I have concentrated my attention to Greek tragedy. Among three eminent tragedians, Sophocles was my favorite poet. Reading through all his existing seven works, Oidipous ho Tyrannos, Oidipous en Kolonoi, Antigone, Elektra, Philoktetes, Thrakiniai, Aias, I noticed that MIASMA (pollution) was one of the key concepts for ethical interpretation of the conducts of his heroes, That was the main theme of my articel, "PATHOLOGY OF MIASMA-no.2, " which was pubished in Memoirs of the Faculty of Liberal Arts & Education vol, 44,1994, (pp.16-28) . My next article, "PATHOLOGY OF MIASMA-no.3, " which was published 1995 also in Memoirs of the Faculty of Liberal Arts & Education vol, 45 (pp.1-13) deals with Euripides. This prolific poet is essentially a journalist, rather than a philosopher. In several romantic plays such as Helene. Iphigeneia en Trauruikei, Phoinissai, Ion. Alkestis, Hiketides, MIASMA is but a conventional concept, which makes dramatic situations more complicated and the fate of heroes or heroins more perilous. Patriotism in the age of the civil war influeneced the poet, but in such plays as Troiades, Hekabe, Andromake, Euripides protested very courageously agaist the war. MIASMA became the symbol of misery and evil caused by human nature, and in Medeia and Hippolytos, his master-piece, the pathology of MIASMA was investigated psychologically in detail. The last, chronologocally the first, poet Aischylos fought as a brave defender of Athenian democrasy and liberty in the age of Persian War. The article "PATHOLOGY OF MIASMA-no.4, " which I newly wrote and is going to be published in the Report for this project this month is devoted to the study of political philosophy of Aischylos, the rule of justice, manifested by divine wrath. MIASMA is one of the key terms of his theological thought.

继续研究1993年获得援助的《瘴气的病理学》，我把注意力集中在希腊悲剧上。索福克勒斯是我最喜欢的诗人之一。阅读索福克勒斯现存的七部作品，《暴君的命运》、《科洛诺伊的命运》、《安提冈尼》、《埃莱克特拉》、《菲洛克忒忒斯》、《特拉基尼埃》、《爱阿斯》，我注意到《迷雾》是一部关于他的诗歌，它是一（污染）是他的英雄行为的伦理解释的关键概念之一，这是我的文章的主题，“瘴气的病理学-第2号，“，载于《文学院与教育学院回忆录》第44卷，1994年，（第16 -28页）。我的下一篇文章，“瘴气的病理学-第3号”，这是发表在1995年也在回忆录的文科和教育卷，45（pp.1-13）涉及欧里庇得斯。这位多产的诗人本质上是一位记者，而不是哲学家。在一些浪漫的戏剧中，比如《海琳》。Iphigeneia en Trauruikei，Phoinissai，Ion.“阿克斯蒂斯”、“海克蒂德斯”、“瘴气”只是一个传统的概念，它使戏剧情节更加复杂，英雄或女主人公的命运更加危险。内战时代的爱国主义影响了诗人，但在《特洛伊人》、《赫卡贝》、《安德洛梅克》等剧中，欧里庇得斯非常勇敢地反对战争。“瘴气”成为人性造成的苦难和邪恶的象征，在其代表作《梅狄亚与希波吕托斯》中，对“瘴气”的病理进行了详细的心理学研究。最后一位，按年代顺序是第一位，诗人埃斯库罗斯在波斯战争时代作为雅典民主和自由的勇敢捍卫者而战斗。我新写的文章《瘴气的病理学--第4号》将在本月的项目报告中发表，这篇文章致力于研究埃斯库罗斯的政治哲学，正义的统治，表现为神的愤怒。“瘴气”是其神学思想的核心术语之一。