A Study of Edo Period Painting Schools with Official Patronage

江户时代官方赞助的绘画流派研究

• 批准号: 60450006
• 负责人: KOBAYASHI Tadashi
• 金额: $ 3.07万
• 依托单位: Gakushuin University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for General Scientific Research (B)
• 财政年份: 1985
• 资助国家: 日本
• 起止时间: 1985 至 1987
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-60450006/
• 关键词: Edo Period; Goyo gaha (Painting Schools with Official Patronage); Academism; データ処理

Until recently, art historical research of the Edo period has been solely interested in schools of painting with public patronage such as Rimpa, Bunjinga, and Ukiyoe. Indeed, the historical attitude toward painting schools with official patronage, which were viewed as the leading schools of painting during the period in question, has changed dramatically to one of cool indifference. In opposition to the general trend of art historical scholarship, this project dealt with numerous Edo period paintings for the direct purpose of studying those artists with official patronage.The groject consisted of amassing a large quantity of material on each artwork in the form of resources and reproductions (35mm color slides) attained through the examination and photographing of works held by both public and private agencies as well as private collectors. The information on each artwork was organized into a selfdesigned framework and entered into a personal computer. As a result, the project produced … More a computer data base on paintings of the Early Modern period in Japan, the core of which is the artwork of painters receiving official patronage during the Edo period. At present, the vast amount of information has been accumulated and classified according to categories such as artist, artistic school, title, date of execution. material, signature, seals, location, accession number, size, and quality evaluation. Through referencing, reorganization, and extraction of a specific range of attributes, practical application of the collected materials is now possible for a variety of purposes.Thus, the project begins to fill the gap in Edo period painting research. Moreover, by making the painting schools with official patronage and their parallels, publicly patronized schools of painting, the object of the investingation, this project also ascertains the circumstances of Japanese painting history in general. In addition, the various collations between the accumulated information and the reproduction files provide a new foundation from which one can restructure the framework of Edo period painting and its historical development. Less

直到最近，江户时代的艺术史研究一直只对有公众赞助的绘画流派感兴趣，如林帕，文津加和浮世绘。事实上，历史上对官方赞助的绘画流派的态度已经发生了巨大的变化，这些绘画流派被认为是这一时期的主要绘画流派。与艺术史研究的大趋势相反，本计画以研究受官方赞助的艺术家为直接目的，针对大量江户时代的绘画作品，以资源与复制品的形式，搜集每件作品的大量资料（35毫米彩色幻灯片）通过检查和拍摄公共和私人机构以及私人收藏家持有的作品获得。每件艺术品的信息都被组织成一个自行设计的框架，并输入个人电脑。因此，该项目产生了 ...更多信息 日本近代早期绘画的电脑资料库，其核心是江户时代接受官方赞助的画家的作品。目前，已积累了大量的信息，并根据艺术家，艺术学校，标题，执行日期等类别进行分类。材料、签名、印章、位置、登录号、尺寸和质量评价。通过参考、重组和提取特定范围的属性，现在可以将收集到的材料实际应用于各种目的。因此，该项目开始填补江户时代绘画研究的差距。此外，本研究以官方资助的画派及其相对应的、公开资助的画派为研究对象，也从总体上把握了日本绘画史的情况。此外，积累的信息和复制文件之间的各种整理提供了一个新的基础，从中可以重建江户时代绘画的框架及其历史发展。少

项目成果

榊原悟: サントリー美術館動館廿五周年記念論集. 2. 29-65 (1987)

榊原悟：三得利美术馆成立五周年纪念论文集 2. 29-65 (1987)。

Kobayashi,Tadashi: Pelican. Painters of the Edo Period, 260 (1987)

小林正：鹈鹕。

小林忠: "江戸の画家たち" ぺりかん社, 260 (1987)

小林正：《江户画家》Perikansha，260 (1987)

小林忠: 絵金. 100-103 (1987)

小林正：Ekin 100-103 (1987)

小林忠: アサヒグラフ甦る江戸城. 2-15. 97-102 (1988)

小林正：江户城堡的朝日图复兴 2-15 97-102 (1988)。