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Preliminary research on the part of an "Iconographical Conceptor" in medieval art.

中世纪艺术中“图像观念”的初步研究。

基本信息

批准号：
03801006
负责人：
NISHINO Yoshiaki
金额：
$ 0.9万
依托单位：
Hirosaki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1991
资助国家：
日本
起止时间：
1991 至 1992
项目状态：
已结题

项目摘要

Through the research of the last year, we could clarify that the iconographical specificity of the Triptich of the Resurrection of Lararus, executed by Nicolas Froment, actually in the Uffizi Gallery at Florence, resulted from the intentional demand of its client, italian prelate, called Thomas o Coppini : this client, one of the pontifical members of Pius II who had converted from the Councilianism to the Pontificalism, asked the artist for integrate into its iconographical program the content of the bull "Exsecralibis" decleared by the Pope in January 1461.The research of this year was oriented to the basic survey on another painter Enguerrand Quarton, precursor of Froment in the 15th century Avignon School. In this survey where were examinated 12 archival documents concerning the activities of the artist in Provence, we could discuss on the Requin Altarpiece, work of premiere periods of the painter conserved in the Petit-Palais Museum at Avignon, and on other two illuminated manuscripts, Book of Hours, ms.358 in the Pierpont-Morgan Library in New York, and Jean de Martins's Roman Missel, nouv. acq. ms. lat. 2661 in the Bibliotheque Nationale at Paris. We could follow up by this survey our praceding studies (1990-1991) on this artist.We could publish in this november 1992 the Research Project for these two years.

通过去年的研究，我们可以澄清，由尼古拉斯·弗罗门特（Nicolas Froment）在佛罗伦萨乌菲齐美术馆（Uffizi Gallery）完成的《拉罗斯复活的tritich of the Resurrection of Lararus》的图像特异性是由于其客户，意大利高级教士托马斯·奥·科皮尼（Thomas o Coppini）的故意要求：这位客户是庇护二世的宗座成员之一，他已经从大公会议转变为宗座主义，他要求艺术家将教皇在1461年1月宣布的“Exsecralibis”的内容整合到他的肖像画中。今年的研究方向是对15世纪阿维尼翁画派弗门特的先驱、画家恩格尔朗·夸尔顿进行基本调查。在这次调查中，我们查阅了有关这位艺术家在普罗旺斯活动的12份档案文件，我们可以讨论一下保存在阿维尼翁小皇宫博物馆的这位画家首演时期的作品《Requin Altarpiece》，以及另外两份彩绘手稿：纽约皮尔庞特-摩根图书馆358号的《时光之书》和让·德·马丁斯的《罗马小姐》。acq。lat女士。2661号，巴黎国家图书馆。我们可以通过这个调查来跟进我们之前对这位艺术家的研究（1990-1991）。我们可以在1992年11月公布这两年的研究计划。