Orders, materials, and terminologies of colours in the 18th century

18 世纪颜色的顺序、材料和术语

• 批准号: 441413053
• 负责人: Professor Dr. Friedrich Steinle
• 金额: --
• 依托单位: Institut für Philosophie, Literatur-, Wissenschafts- und Technikgeschichte
• 依托单位国家: 德国
• 项目类别: Research Units
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/441413053?language=en
• 关键词: Orders; materials; terminologies; colours; 18th

In fine arts, colour has always been, and still is, a central and indispensable tool in all creative and producing process. Moreover, ordering colours in systems, charts, inventories, and lists has provided a bridge between the practical knowledge in arts, crafts, and trade on the one hand, and the systematic/ theoretical investigation and categorization in natural philosophy, natural history, and art theory on the other. In the period of Enlightenment, with its effort of rendering arcane knowledge visible, painted colour systems, colour charts, and colour standards were produced in great variety and steeply increasing numbers. They formed a link of theoretical and practical approaches and a place of interdisciplinary exchange – a trading zone (Long 2011) between theoretical systematics and practice-related contexts. The proposed project focuses on the exploration of this constellation. It aims at examining how hues and colours materials were conceptualized, and how order was created and visualized. It will pursue a thorough and comprehensive analysis of historical colour terms, colour materials (like pigments and dyestuffs), and colour orders, and on that fundament it will analyze in a systematic way the connexions of colour theory, colour systems, colour craftmanship, artists’ practice and art theory. As a result, the project is expected to gain specific insights into the materiality of colours and the related terminology of colorants and hues. It will also provide a more general understanding of the interaction of practical, theoretical, and academic knowledge. In addition to the orders of techne, the main focus of the research project is particularly on the modes of appearance and, via the central requirement of communication, also on its narratives.

在美术中，色彩一直是，现在仍然是所有创作和生产过程中不可或缺的核心工具。此外，在系统、图表、库存和列表中订购颜色为艺术、手工艺和贸易的实践知识与自然哲学、自然历史和艺术理论的系统/理论调查和分类之间提供了桥梁。另一方面。在启蒙运动时期，由于努力使《双城之战》知识变得可见，绘画色彩系统、色彩图表和色彩标准的种类繁多，数量急剧增加。它们形成了理论和实践方法的联系，以及跨学科交流的场所-理论系统学和实践相关背景之间的交易区（Long 2011）。拟议项目的重点是探索这一星座。它旨在研究色调和颜色材料是如何概念化的，以及如何创建和可视化秩序。它将对历史上的色彩术语、色彩材料（如颜料和染料）和色彩秩序进行全面而全面的分析，并在此基础上系统地分析色彩理论、色彩系统、色彩工艺、艺术家实践和艺术理论之间的联系。因此，该项目预计将获得对颜色的重要性以及着色剂和色调的相关术语的具体见解。它还将提供对实践，理论和学术知识相互作用的更全面的理解。除了技术的顺序，该研究项目的主要重点是特别是对出现的模式，并通过通信的中心要求，也对它的叙述。