A HISTORICAL STUDY OF 'MODERN' IN FRENCH LITERATURE

法国文学中“现代”的历史研究

• 批准号: 10410103
• 负责人: NAKAJI Yoshikazu
• 金额: $ 6.46万
• 依托单位: UNIVERSITY OF TOKYO
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B).
• 财政年份: 1998
• 资助国家: 日本
• 起止时间: 1998 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-10410103/
• 关键词: MODERN; ACADEMIC HISTORY; EDUCATION IN RHETORIC; FRAGMENTAL FORM; MORALIST LITERATURE; LYRIC POETRY; PROSE POEM; BAUDELAIRE; ボードレール; モデルニテ; 逆説; 詩の危機; 作者の死; 新旧論争; アヴァンギャルド

Our research is a further development of our past ones within the same framework : "Rhetoric and French Literature : Tradition and Revolt" (1993) and "From the Norm to Creations : Rhetoric Education and French Literature" (1994, ! 995 and ! 996). Its principal object has been to retrace the critical moments in the history of French literature when the conservative attitude observing the traditional normes and the reform spirit desiring to creat new values were opposed to each other, with the consequence that a fertile literary soil came into being from this opposition itself.Thus, we have tried to release the idea of "modern" from its French meaning of the "modernity (modernite)" that Baudelaire and Manet celebrated and from its English connotation in which the term indicates specially the modernism in the beginning of the 20^<th> century, as from its German sense of the very large time span since the Rennaissance. We have included in our reflection the different conflicts between the … More past and today and examined all the tendencies attaching the greatest value to what is contemporary.Nevertheless, the most part of the dissertations collected in our report volume concern Baudelaire. This shows again the deepness and the variety of this auther's problematics. The four essays on Baudelaire consider respectively the relation between memory and melancholy in the great verse poem "The Swan (Le Cygne)" ; the ontological specificities in his prose poems ; the question of energy in his conception of a dynamic mimesis ; his idea of the genius in childhood (le genie-enfant).The volume opens with an essay on a controversy, in the 18^<th> century, about the value of prose poems, precursory phenomenon of the crisis of verse and the prosperity of the prose poem in the following century. At the end of the volume are disposed two essays on the developments of the modernity after Baudelaire : the artist's self-consciousness of his own creation in Valery and the complementary relation of writing and of plastic arts in Michaux. Less

我们的研究是在相同框架内的进一步发展：《修辞与法国文学：传统与反叛》(1993)和《从规范到创新：修辞教育与法国文学》(1994,995和996)。它的主要目的是追溯法国文学史上的关键时刻，当时遵循传统规范的保守态度和渴望创造新价值的改革精神相互对立，结果是这种对立本身形成了一种肥沃的文学土壤。因此，我们试图从波德莱尔和马奈所颂扬的现代性的法语含义和它的英语内涵--特别是指20世纪初的现代主义--以及从德语中自文艺复兴以来的很大一段时间跨度的意义上，释放出现代的概念。我们已经在我们的反思中包括了…与更多的过去和今天，并审查了所有的趋势，最重视的是什么是当代的。然而，在我们的报告卷收集的大部分论文涉及波德莱尔。这再次表明了作者问题的深刻性和多样性。关于波德莱尔的四篇散文分别讨论了伟大的诗词《天鹅》(《天鹅》)中记忆与忧郁的关系；他散文诗中的本体论特殊性；他的动态模仿概念中的能量问题；他的童年天才思想(Le Genie-Enfant)。这一卷以一篇关于18世纪关于散文诗价值的争论、诗歌危机的先兆现象以及散文诗在下个世纪的繁荣为开篇。在这一卷的最后，安排了两篇关于波德莱尔之后现代性发展的论文：艺术家在瓦莱里对自己创作的自我意识，以及在米肖的写作和造型艺术的互补关系。较少

项目成果

SHIOKAWA,Tetsuya: "quoi sert la genetique litteraire ?"Equinoxe. No 17/18. 228-236 (2000)

盐川哲也：“quoi sert la Genetique litteraire？”春分。

福田耕介: "「内」と「外」-モーリヤック小説における風景描写の一側面" 仏語仏文研究. 第18号. 75-84 (1998)

福田康介：“‘里面’和‘外面’——莫里亚克小说中风景描写的一个方面”《法国语言文学研究》第18期。75-84（1998）。

TSUKAMOTO,Masanori: ""Interview" and "Postscript" in R.Confiant, Eau de cafe"Kinokuniya Shoten. (1999)

冢本正则：《R.Confiant、Eau de Cafe》纪伊国屋书店的“采访”和“后记”。

Yoshikazu NAKAJI: "Du "bleu" a la "boue" : Rimbaud, poete d'anamnese"Parade Sauvage, revue d'etudes rimbald, ennes. No 16. 45-57 (2000)

中地芳和：“Du “bleu” a la “boue”：兰波，诗人 danamnese”Parade Sauvage，revue detudes rimbald，ennes。

塚本昌則: "ラファエル・コンフィアン氏インタヴュー「不透明の権利」"週刊読書人. 12月10日号. (1999)

Masanori Tsukamoto：“采访 Rafael Confian 先生：‘不透明的权利’”《读者周刊》12 月 10 日。