权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART

全面考察艺术家游历对艺术发展的意义

基本信息

批准号：
11410016
负责人：
OSANO Shigetoshi
金额：
$ 5.44万
依托单位：
THE UNIVERSITY OF TOKYO
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-11410016/
关键词：
artist Travel Trip 旅行

项目摘要

On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with particular reference to his vagabond life in the Noto region, while Professor Sato examines several works of art by Ito Jakuchu, on the basis of fieldwork undertaken by the two in the Noto region in 2000.On the other hand, the head investigator provides an overview of the significance of artists travels from ancient Greek and Roman times through the first half of the XVI century ; in the process, he sheds light upon certain aspects of artistic travel, including its motives and goals and the differing modes of transportation and lifestyles while on the road, in order to provide a tentative typology of artistic travel. Professor Akiyama writes about the mobility of artists between Italy and German countries around 1500 with a particular contribution concerning the Venetian painter Jacopo de Barbari. Professor Nakamura addresses a trip to Spain undertaken by Rubens, entrusted with a diplomatic mission, in 1603. Finally, Professor Miura describes the stay at the Villa Medici in Rome of young French artists who were winners of the Roman Prize in the XIX century. To the report will also be appended relevant materials concerning Velazques two trips to Rome, and the El cuaderno italiano (1770-1786) held and drawn by Goya.

2001年12月4日，作为东京大学研究项目的一部分，帕多瓦大学的玛丽·皮特罗格洛瓦纳教授作了题为《意大利之旅：十六世纪下半叶北方画家在罗马和威尼斯的旅行》的讲座。会上举行了一次会议，讨论每个参与者在过去三年中进行的研究的结果。山下教授在研究报告中特别提到了长谷川在Noto地区的流浪生活，而Sato教授则在2000年两人在Noto地区进行的田野调查的基础上，研究了Ito Jakuchu的几件艺术作品。另一方面，首席调查者概述了从古希腊和罗马时代到十六世纪上半叶的艺术家的意义；在这个过程中，他揭示了艺术旅行的某些方面，包括其动机和目标，以及在路上的不同交通方式和生活方式，以提供一种初步的艺术旅行类型。秋山教授写了1500年左右意大利和德国国家之间艺术家的流动，其中特别提到了威尼斯画家雅各布·德·巴巴里。中村教授讲述了1603年鲁本斯受托外交使命前往西班牙的一次旅行。最后，Miura教授描述了十九世纪罗马奖获得者年轻的法国艺术家在罗马美第奇别墅的逗留。报告还将附上有关韦拉齐克两次罗马之行的相关材料，以及戈亚持有和绘制的El Cuaderno Italiano(1770-1786年)。