A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART

2001年12月4日，帕多瓦大学的Mari Pietroglovanna教授作为东京大学研究项目的一部分，作了题为“意大利之旅：世纪后半叶罗马和威尼斯的北方画家”的演讲。在这次会议上，举行了一次会议，讨论每个与会者在过去三年中所进行的研究的结果。与此同时，最终的研究报告也制定了大纲，确定了研究报告的内容。因此，山下教授在研究报告中特别提到了长谷川东伯在诺托地区的流浪生活，而佐藤教授则根据两人2000年在能登诺托地区的实地考察，对伊藤若中的几件艺术作品进行了研究。首席研究员概述了从古希腊和罗马时代到16世纪上半叶艺术家旅行的重要性; 2在此过程中，他阐明了艺术旅行的某些方面，包括其动机和目标以及在旅途中不同的交通方式和生活方式，以便提供一个艺术旅行的初步类型学。秋山教授写了大约1500年左右艺术家在意大利和德国之间的流动性，特别是关于威尼斯画家雅格布·德·巴尔巴里的贡献。教授中村地址前往西班牙进行鲁本斯，委托外交使命，在1603年。最后，三浦教授描述了在罗马的别墅美第奇的年轻法国艺术家谁是罗马奖在十九世纪的获奖者逗留。报告还将附上有关韦拉兹克两次前往罗马的相关材料，以及戈亚持有和绘制的《意大利之歌》（El cuaderno italiano，1770-1786）。

On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with particular reference to his vagabond life in the Noto region, while Professor Sato examines several works of art by Ito Jakuchu, on the basis of fieldwork undertaken by the two in the Noto region in 2000.On the other hand, the head investigator provides an overview of the significance of artists travels from ancient Greek and Roman times through the first half of the XVI century ; in the process, he sheds light upon certain aspects of artistic travel, including its motives and goals and the differing modes of transportation and lifestyles while on the road, in order to provide a tentative typology of artistic travel. Professor Akiyama writes about the mobility of artists between Italy and German countries around 1500 with a particular contribution concerning the Venetian painter Jacopo de Barbari. Professor Nakamura addresses a trip to Spain undertaken by Rubens, entrusted with a diplomatic mission, in 1603. Finally, Professor Miura describes the stay at the Villa Medici in Rome of young French artists who were winners of the Roman Prize in the XIX century. To the report will also be appended relevant materials concerning Velazques two trips to Rome, and the El cuaderno italiano (1770-1786) held and drawn by Goya.