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Research of the Environment and the Artistic Styles of Sho Dynasty Period

尚代环境与艺术风格研究

基本信息

批准号：
12410018
负责人：
ITAYA Toru
金额：
$ 3.71万
依托单位：
OKINAWA PREFECTURAL UNIVERSITY of ARTS
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

The purpose of this research is to clarify and gain deeper understanding of the environment and the artistic styles of the Shuri Imperial Dynasty during the reign of Sho Iku Dynasty (circa 1835 thru 1847). Concerning the environment, the appointment of the roles in the Kannsen-Odori, the rehearsals and practices, and the preparation of tools were revealed through reimpression and epigraphy from the bibliotheca of the former Sho Family, subsequently making many corrections to popular theories. As with the dance style of the performing arts, the performance of Iriko-Odori was made possible at the National Theatre Okinawa through the findings from the above mentioned documents. Also, choreograph of the Onna-Odori, a woman dance found in literary documents, which had ceased its succession were reproduced, illustrations during the relative periods were used as references, and the technique on body works were exposed through the studies of the village dances which had been passed down in the regions where the Okansen-Odori were found, in attempt to restore the Ryukyu Performing Art of the Shun Dynasty by the Performance and Demonstration Group.The succession of the Iriko-Odori had been ceased after the abolition of the royal dynasty ; however, Onna-Odori was passed down by dancers and actors since the Meiji era drastically changing its form. The restoration of the Onna-Odori during the reign of She Iku, had clarified the meaning of these dance periods and the demands of court performing arts in the present, or became the clue to understanding the evolving appreciation towards aesthetics.

本研究的目的是澄清并更深入地了解翔一王朝（约1835年至1847年）统治时期首里朝的环境和艺术风格。关于环境，在观音大通中的角色的任命，排练和实践，以及工具的准备是通过前Sho家族的藏书的再印象和金石学揭示的，随后对流行的理论进行了许多修正。与表演艺术的舞蹈风格一样，通过上述文件的调查结果，在国家剧院冲绳进行了伊里子大通的表演。此外，在文学文献中发现的女性舞蹈Onna-Odori的舞蹈，其已经停止了继承，被复制，相关时期的插图被用作参考，通过研究在Okansen-Odori被发现的地区流传下来的乡村舞蹈，揭示了身体作品的技术，由表演艺术团恢复顺朝的琉球表演艺术。入子大通在皇家王朝被废除后停止了继承;然而，恩纳大通是由舞蹈家和演员传下来，因为明治时代大大改变了它的形式。在社育时期，恩纳大通的恢复，澄清了这些舞蹈时期的意义和当今宫廷表演艺术的需求，或者成为理解审美演变的线索。