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The Influence and Function of Medieval and Renaissance Iconology in English and American Literature

中世纪和文艺复兴时期的图像学对英美文学的影响和作用

基本信息

批准号：
12410120
负责人：
FUJITA Minoru
金额：
$ 7.87万
依托单位：
Kansai University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

The investigators of our research group have tried to reveal various aspects about "the influence and function of medieval and Renaissance iconology in the study of English and American literature," especially in connection with the use of visual images and symbols in their treatment of philosophical, religious, social and political themes in medieval and Renaissance literature and drama. Professor Yoshikawa, who mainly focuses his attention on Marvel's poetry, examines how closely the religious and political programs of 17th century England are intertwined in the texture of each of his poems and how successfully applicable iconographical analysis is to the tangles imagery that governs his poetry. Professor Yamada investigates the case of Inigo Jones' collaboration with Ben Jonson in their production of Stuart court masques. He discusses how keenly interested Jones was in producing a masque so as to appeal to the audience's sense of sight through the employment of visual elements of Re … More naissance art and architecture and through the use of Italianate costume and stage setting. Professor Iriko, a Hawthorn scholar who has studied the influence of the European Renaissance on the American culture of the Colonial period, conducts research into the Renaissance idea of melancholy and illustrates various aspects of this influence on Hawthorn's romances. Professor Imanishi, whose theory about Elizabethan theaters is that they were in a way essentially a rebirth or regeneration of temples and theaters of classical antiquity, studies the iconographical nature of the Elizabethan stage space, and examines the way Shakespeare succeeded in producing his last plays or Romances in his theater where he was able freely to negotiate with the spectators' sensibility towards the mystic and the cosmic. The chief investigator, Fujita, has been in constant liaison with each of the above members in order to maintain as much as possible the unity of the subjects of their individual investigations, and focuses his study on the iconographical quality and function of the classical columns that stood on the right and left sides of the open stage in the Elizabethan Globe Theater. Professor Monobe, a philosopher and aesthetician, meticulously provided each investigator with necessary scholarly information concerning iconology. His own study focuses on the aesthetic relationship between Sehen (seeing) and Dinge (a thing). His interest centers on the fact that what is scientifically or technically recognizable is by no means one and the same with what is perceptible through the senses, especially through the sense of sight. Less

我们课题组的研究人员试图揭示“中世纪和文艺复兴时期的图像学在英美文学研究中的影响和作用”的各个方面，特别是在中世纪和文艺复兴时期的文学和戏剧中，在处理哲学、宗教、社会和政治主题时，视觉图像和符号的使用。吉川教授主要关注漫威的诗歌，他考察了17世纪英国的宗教和政治程序如何紧密地交织在他的每一首诗的质地中，以及肖像分析如何成功地应用于支配他诗歌的纠缠意象。山田教授调查了伊尼戈·琼斯与本·琼森合作制作斯图尔特宫廷面具的案件。他讨论了琼斯对制作面具是多么感兴趣，以便通过使用Re…的视觉元素来吸引观众的视觉更多的诞生艺术和建筑，并通过使用意大利服装和舞台布景。伊里科教授是一位研究欧洲文艺复兴对殖民地时期美国文化影响的霍桑学者，他对文艺复兴时期的忧郁思想进行了研究，并阐述了这种影响对霍桑浪漫小说的各个方面。Imanishi教授关于伊丽莎白时代的剧院的理论是，在某种程度上，它们本质上是古典时代寺庙和剧院的重生或再生，他研究了伊丽莎白时代舞台空间的肖像性质，并研究了莎士比亚如何在他的剧院成功地制作了他最后的戏剧或浪漫故事，在那里他能够自由地与观众对神秘和宇宙的情感进行谈判。首席调查员藤田一直与上述每一位成员保持不断的联系，以尽可能保持各自调查对象的统一性，并将研究重点放在伊丽莎白时代环球剧院开放舞台左右两侧的古典柱子的图像质量和功能上。莫诺贝教授是一位哲学家和美学家，他一丝不苟地为每一位研究者提供了关于图像学的必要的学术信息。他自己的研究重点是色亨和顶格之间的审美关系。他的兴趣集中在这样一个事实上，即科学或技术上可识别的东西与通过感官，特别是通过视觉可感知的东西绝不是一模一样的。较少