Russian icons in Japan

日本的俄罗斯偶像

基本信息

批准号：
13410020
负责人：
SUZUKI Michitaka
金额：
$ 5.44万
依托单位：
Okayama University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2002
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-13410020/
关键词：
Russia icon Yamashita Rin Alaska Kriukov Nicolai Innocenti Academy of Technology and Art シトカ正教会ニコライ大主教ブルーニ

项目摘要

As a result of researches in Alaska(Sitka, Juneau, Kodiak and Eklutna), we have found only four icons(three prints and one oil painting) which are the same as were transported to Japan. It means that there was actually no parallel between icons in Japan and Alaska. We can surmise also that there was no comprehensive system within the Russian Orthodox Church for deciding to send icons to countries outside Russia, and the selection of icons depended on the Russian patrons who took care of their protege countries. But during this research, there was an unexpected new discovery in Sitka. In Bishop Innocentis House we found the original drawing which had served as a model for the Resurrection icon by Rin Yamashita(1857-1939). This icon was donated to the then crown prince Nicolai(future Nicolai the Second) when he visited Japan in 1891. The original drawing is dated 1876. And the painter is presumably Vasily Kriukov. Vasily Kriukov was the first icon and Western-style painter among the indi … More genous Aleut people. He was educated by Innocenti and painted the icons in the newly built church in Unalaska in the Aleutian Islands in 1826. This means Bishop Nicoiai Kasatkin fostered Rin Yamashita as an icon painter in Japan and Bishop Innocenti Veniaminov fostered Vasily Kriukov as an icon painter in Alaska. Although there is a document apparently testifying to the death of Vasily before. 1830 in SPb, when he was a student in SPb Academy of Art, clearly this document should be re-examined. Whatever the result, we have now a radically new perspective for the future study of Japanese modern icons and culture. Furthermore we also conducted for the first time a scientific and chemical analysis of the Russian icons and constructed anew environment from concrete testimonies for the icons in Sirakawa. In addition we also analyzed from a comparative cultural perspective the educational system of the first Japanese Academy of Technology and Art, which was founded in 1876 and where Rin Yamashita studied Western Art. Less

由于阿拉斯加（Sitka，Juneau，Kodiak和Eklutna）的研究，我们只发现了四个图标（三种印刷品和一幅油画），与运输到日本相同。这意味着在日本和阿拉斯加的图标之间实际上没有相似之处。我们还可以冲浪，俄罗斯东正教教堂内没有综合体系决定将图标发送到俄罗斯以外的国家，而选择图标则取决于俄罗斯顾客照顾他们的protege国家。但是在这项研究中，Sitka有一个意想不到的新发现。在Innocentis House，我们发现了原始图纸，该图是Rin Yamashita（1857-1939）的复活图标的模型。这个图标是在1891年访问日本时捐赠给当时的尼古拉王储（Future Nicolai）的。原始图纸的日期为1876年。画家大概是Vasily Kriukov。 Vasily Kriukov是印第安人的第一个偶像和西方风格的画家……更加肮脏的阿勒特人。 He was educated by Innocenti and painted the icons in the newly built church in Unalaska in the Aleutian Islands in 1826. This means Bishop Nicoiai Kasatkin Fostered Rin Yamashita as an icon painter in Japan and Bishop Innocenti Veniaminov Fostered Vasily Kriukov as an icon painter in Although there is a document apparently testing to the death of Vasily before. 1830年，在SPB，当他是SPB艺术学院的学生时，显然应该重新检查该文件。无论结果如何，我们现在都对日本现代图标和文化的未来研究具有根本的新观点。此外，我们还首次对俄罗斯图标进行了科学和化学分析，并从Sirakawa的偶像的混凝土证词中构建了逐渐构建的环境。此外，我们还从比较文化的角度分析了第一届日本技术与艺术学会的教育体系，该系统成立于1876年，rin Yamashita Studiod Studiod Western Art。较少的