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A Stylistic Study of Modern Poetry : Larkin and Others

现代诗歌的文体研究:拉金等人

基本信息

批准号：
15520172
负责人：
MIYAUCHI Hiromu
金额：
$ 2.11万
依托单位：
Kyoto University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2006
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520172/
关键词：
English and American Literature modern English poetry Larkin rhyme language analysis style form structure 文体論形式と内容二重性作品構造イェイツ批評

项目摘要

My main concern in this project has been the work of Philip Larkin and other modern poets. I investigated Larkin's workbooks held in the Larkin Archive in the Brynmor Jones Library at the University of Hull, analysing words, syntax and poetic form to elucidate prominent stylistic features of his work. In particular, I have paid special attention to rhyme and have shown many examples of how rhyme or rhyme schemes activate the themes of poems in one way or another. Comparing his use of rhyme with that of other modern poets such as Yeats, Auden and Heaney, I have argued that Larkin explores the possibilities of rhyme (especially imperfect rhyme) to the full to express various tones of feelings of the speaker in his poems. I have also attempted to elucidate the underlying structures of Larkin's poetry. Taking account of these analyses, I have interpreted each work from a broader perspective.This study resulted in two articles "Stylistic Features in Larkin's Poetry-Periphrasis and Rhyme in 'Church Going' and 'The Building'"( 2005) and "Larkin's Elegies and Poems of Death" (2006). The former focuses on periphrasis and rhyme and discusses their roles in these closely related poems. The latter deals with the hitherto ignored poems to reveal dual structures underlying them, with special reference to the close connection between form and content.As for Yeats, I investigated his work written during his stay at Menton and Roquebrune (France) in 1938, just one year before his death.

在这个项目中，我主要关注的是菲利普·拉金和其他现代诗人的作品。我调查了拉金的工作簿在拉金档案馆举行的布林莫尔琼斯图书馆在船体大学，分析的话，句法和诗歌形式，阐明突出的文体特征，他的工作。特别是，我特别关注押韵，并展示了许多押韵或押韵方案如何以这样或那样的方式激活诗歌主题的例子。通过与叶芝、奥登、希尼等现代诗人对押韵的运用进行比较，笔者认为拉金在诗歌中充分利用了押韵（尤其是不完全韵）的可能性，以表达说话者的各种情感。我还试图阐明拉金诗歌的基本结构。基于这些分析，我从更广阔的视角对每一部作品进行了解读，并由此形成了两篇论文《拉金诗歌的文体特征--《去教堂》和《建筑》中的转写和押韵》（2005）和《拉金的挽歌和死亡诗歌》（2006）。前者侧重于迂回和押韵，并讨论了它们在这些密切相关的诗歌中的作用。后者涉及到迄今为止被忽视的诗歌，以揭示其背后的双重结构，特别是形式与内容之间的密切联系。至于叶芝，我研究了他在门顿和罗克布伦（法国）逗留期间写的作品，1938年，就在他去世前一年。