权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

A Stylistic Study of Modern Poetry : Larkin and Others

现代诗歌的文体研究:拉金等人

基本信息

批准号：
15520172
负责人：
MIYAUCHI Hiromu
金额：
$ 2.11万
依托单位：
Kyoto University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2006
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520172/
关键词：
English and American Literature modern English poetry Larkin rhyme language analysis style form structure 文体論形式と内容二重性作品構造イェイツ批評

项目摘要

My main concern in this project has been the work of Philip Larkin and other modern poets. I investigated Larkin's workbooks held in the Larkin Archive in the Brynmor Jones Library at the University of Hull, analysing words, syntax and poetic form to elucidate prominent stylistic features of his work. In particular, I have paid special attention to rhyme and have shown many examples of how rhyme or rhyme schemes activate the themes of poems in one way or another. Comparing his use of rhyme with that of other modern poets such as Yeats, Auden and Heaney, I have argued that Larkin explores the possibilities of rhyme (especially imperfect rhyme) to the full to express various tones of feelings of the speaker in his poems. I have also attempted to elucidate the underlying structures of Larkin's poetry. Taking account of these analyses, I have interpreted each work from a broader perspective.This study resulted in two articles "Stylistic Features in Larkin's Poetry-Periphrasis and Rhyme in 'Church Going' and 'The Building'"( 2005) and "Larkin's Elegies and Poems of Death" (2006). The former focuses on periphrasis and rhyme and discusses their roles in these closely related poems. The latter deals with the hitherto ignored poems to reveal dual structures underlying them, with special reference to the close connection between form and content.As for Yeats, I investigated his work written during his stay at Menton and Roquebrune (France) in 1938, just one year before his death.

我在这个项目中主要关注的是菲利普·拉金和其他现代诗人的作品。我调查了赫尔大学布林莫尔·琼斯图书馆拉金档案馆保存的拉金练习册，分析了词语、句法和诗歌形式，以阐明他作品的突出文体特征。特别是，我特别关注押韵，并展示了许多押韵或押韵方案如何以这样或那样的方式激活诗歌主题的例子。通过与叶芝、奥登、希尼等现代诗人对押韵的运用进行比较，我认为拉金在诗歌中充分挖掘了押韵的可能性(尤其是不完美的押韵)，以表达说话人各种语调的情感。我还试图阐明拉金诗歌的潜在结构。考虑到这些分析，我从更广泛的角度对每一部作品进行了解读。本研究产生了两篇文章《拉金诗歌的文体特征--《去教堂》和《建筑》中的迂回和韵律(2005)和《拉金的悼念和死亡的诗》(2006)。前者侧重于迂回和押韵，并讨论了它们在这些密切相关的诗歌中的作用。后者探讨了迄今为止被忽视的诗歌，以揭示它们背后的双重结构，特别是形式和内容之间的密切联系。至于叶芝，我调查了他1938年在法国曼顿和罗克布鲁恩逗留期间写的作品，就在他去世的前一年。