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A Stylistic Study of Modern Poetry : Larkin and Others

现代诗歌的文体研究:拉金等人

基本信息

批准号：
15520172
负责人：
MIYAUCHI Hiromu
金额：
$ 2.11万
依托单位：
Kyoto University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2006
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520172/
关键词：
English and American Literature modern English poetry Larkin rhyme language analysis style form structure 文体論形式と内容二重性作品構造イェイツ批評

项目摘要

My main concern in this project has been the work of Philip Larkin and other modern poets. I investigated Larkin's workbooks held in the Larkin Archive in the Brynmor Jones Library at the University of Hull, analysing words, syntax and poetic form to elucidate prominent stylistic features of his work. In particular, I have paid special attention to rhyme and have shown many examples of how rhyme or rhyme schemes activate the themes of poems in one way or another. Comparing his use of rhyme with that of other modern poets such as Yeats, Auden and Heaney, I have argued that Larkin explores the possibilities of rhyme (especially imperfect rhyme) to the full to express various tones of feelings of the speaker in his poems. I have also attempted to elucidate the underlying structures of Larkin's poetry. Taking account of these analyses, I have interpreted each work from a broader perspective.This study resulted in two articles "Stylistic Features in Larkin's Poetry-Periphrasis and Rhyme in 'Church Going' and 'The Building'"( 2005) and "Larkin's Elegies and Poems of Death" (2006). The former focuses on periphrasis and rhyme and discusses their roles in these closely related poems. The latter deals with the hitherto ignored poems to reveal dual structures underlying them, with special reference to the close connection between form and content.As for Yeats, I investigated his work written during his stay at Menton and Roquebrune (France) in 1938, just one year before his death.

在这个项目中，我主要关注的是菲利普·拉金和其他现代诗人的作品。我调查了拉金的工作簿，这些工作簿保存在赫尔大学布林莫尔·琼斯图书馆的拉金档案馆，分析了他的词汇、句法和诗歌形式，以阐明他作品的突出风格特征。特别是，我特别注意押韵，并展示了许多押韵或押韵方案如何以这种或那种方式激活诗歌主题的例子。将拉金对押韵的运用与叶芝、奥登、希尼等现代诗人进行比较，我认为拉金在诗歌中充分探索了押韵（尤其是不完全押韵）的可能性，以表达说话者的各种语气。我还试图阐明拉金诗歌的潜在结构。考虑到这些分析，我从一个更广泛的角度来解释每一部作品。这项研究产生了两篇文章：《拉金诗歌的风格特征——《去教堂》和《大楼》中的迂回修辞和韵律》（2005）和《拉金的挽歌和死亡诗》（2006）。前者侧重于词形和韵脚，并讨论它们在这些密切相关的诗歌中的作用。后者处理迄今为止被忽视的诗歌，揭示其背后的双重结构，特别提到形式和内容之间的密切联系。至于叶芝，我研究了他1938年在芒通和罗克布伦（法国）逗留期间写的作品，就在他去世前一年。