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A Study of 20th Century English Poetry : Larkin and Others

20世纪英国诗歌研究:拉金等人

基本信息

批准号：
08610478
负责人：
MIYAUCHI Hiromu
金额：
$ 1.34万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1998
项目状态：
已结题

项目摘要

My main concern in this project has been the poetry of Philip Larkin. I chose some of the major pieces from his Collected Poems and investigated the background of these works, paying special attention to his letters and biography. I also studied the poet's manuscripts held in the Larkin Archive analysing words, rhymes and poetic form to elucidate prominent stylistic features of his work. This study resulted in an article "Larkinesque Ambiguity" published in 1997. The article focuses on 'Wedding-Wind' and 'An Arundel Tomb'. It argues that these poems explore the delicate feelings of people in love through the use of profoundly quivocal words, 'ravel' and 'lie'. I aIso suggest here that the ambiguous feelings about women revealed in these poems echo, in a rather ironic fashion, Larkin's own experiences.In 1998 I published a book, Stylistic Criticism of English Poetry : Veats, Larkin and Others, which is primarily concerned with modern poetry. My discussion here is founded on close reading of selected poems. In some chapters I depart from previous criticism by trying to elucidate the close-knit and hitherto ignored, verbal structures underlying the poems. As biographical details often seem to impinge on study of Larkin's work. I took account of them in my analysis of his poetry.In addition to the poems dealt with in my book, I am now working on other pieces by Yeats and Larkin and am concentrating on these poets' use of rhyme schemes.

我在这个项目中主要关注的是菲利普·拉金的诗歌。我从他的《诗选》中挑选了一些主要的作品，调查了这些作品的背景，特别注意了他的书信和传记。我还研究了拉金档案馆保存的这位诗人的手稿，分析了他的词汇、押韵和诗歌形式，以阐明他作品的突出风格特征。这项研究的结果是1997年发表的一篇文章“拉金式歧义”。文章重点介绍了《婚风》和《阿伦德尔墓》。它认为，这些诗歌通过使用深刻的模棱两可的词，如“ravel”和“lie”，来探索恋爱中人们的微妙感情。我还认为，这些诗中对女性模棱两可的感觉，以一种相当讽刺的方式，呼应了拉金自己的经历。1998年，我出版了一本书，《英国诗歌的文体批评：维茨、拉金和其他人》，主要是关于现代诗歌的。我在这里的讨论是建立在仔细阅读诗歌选集的基础上的。在某些章节中，我偏离了先前的批评，试图阐明这些诗背后的紧密联系和迄今为止被忽视的语言结构。传记的细节似乎经常影响拉金作品的研究。我在分析他的诗歌时考虑到了这些因素。除了在我的书中讨论的诗歌，我现在正在研究叶芝和拉金的其他作品，并专注于这些诗人对押韵方案的使用。