A Study of Modern English Poetry: Larkin, Yeats and Heaney

我在这个项目中主要关注的是菲利普·拉金、W·B·叶芝和希尼的诗歌。我从这些诗人中挑选了一些主要的作品，并调查了他们的文体特征以阐明。语言形式与文学意义之间的微妙关系。我特别注意押韵，因为到目前为止对押韵风格的研究很少，尽管它在诗歌中具有重要的作用。这项研究产生了一篇文章《韵律风格：以拉金、叶芝和希尼为例》(2003)。我还阐述了形式和内容之间的关系，《英国诗歌研讨会》，菲利普·拉金，《爆炸》(2002)。我在这里的讨论建立在仔细阅读这首诗的基础上。我写了另一篇关于这位诗人的文章，《菲利普·拉金：战后英国文学的统治精神》(2000年)，描述了拉金的生活和工作。我还在《W.H.奥登：诗歌影响历史吗？》(2000)一书中讨论了W.H.奥登的生活和工作。除了这些文章，我还在一本书中写了一章关于W.B.叶芝的文章，写给那些研究英国诗歌的人(2000)，并翻译了凯蒂·威尔士的《文体词典》(2000)的一部分。

My main concern in this project has been the poetry of Philip Larkin, W. B. Yeats and Heaney. I chose some of the major pieces from these poets and investigated their stylistic features to elucidate. the subtle relationship between linguistic form and literary meaning. In particular, I payed special attention to rhyme, since very little study has been made so far on rhyme style, it spite of its important role in poetry. This study resulted in an article, "Rhyme Style: with Examples from Larkin, Yeats and Heaney" (2003). I also illustrated the relationship between form and content it "<Seminar on English Poetry> Philip Larkin, 'The Explosion'" (2002). My discussion here is founded on close reading of the poem. I wrote another article on the same poet, "Philip Larkin : The Ruling Spirit of Postwar English Literature" (2000), which describes Larkin's life and work. I also dealt with W.H. Auden's life and work in "W.H. Auden: Does Poetry Influence History?" (2000). In addition to these articles, I wrote a chapter on W.B. Yeats in a book, For Those Who Study English Poetry (2000) and translated part of Katie Wales's A Dictionary of Stylistics(2000).