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A Study of Politics of Culture and Globalization Theory and Practice of American Performing Arts sine 20th Century

20世纪以来美国表演艺术的文化政治与全球化理论与实践研究

基本信息

批准号：
15520210
负责人：
TOTANI Yoko
金额：
$ 1.98万
依托单位：
Ochanomizu University (2004-2006)Toyoko Gakuen Women's College (2003)
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2006
项目状态：
已结题

项目摘要

This project was conceived and developed out of the research which I conducted with the support from Grant-in-Aid for Scientific Research in the previous years, Cultural Politics, Arts Management, and Public Policies Theory and Practice of 20th Century American Performing Arts, which also focused on the aspect of politics and culture in the American performing arts.The purpose of this research was to examine both theory and practice of American performing arts in the age of globalization especially after the 9111 terrorist attack of World Trade Center in New York City.In conducting this research, three topics were set to be covered:1.Representation of the body in relation to the violence of terrorism in the field of American theatre.2.Production and Reception of globalized culture in the American performing arts3.The Global and the Local Centralization and Decentralization of Culture and the actual practice.During the first stages of the research, I have reexamined the concept of interculturalism and the notion of hybridity in the field of theatre as well as culture in general and how they had been shifted after the 9/11. I also had the opportunity to respond to two papers which dealt with violence in relation to gender and were given at the annual conference of COE program at my own university. This gave me a chance to rethink of violence in terms of representation. The response paper I gave is included in the bound report of this research.I also collected information about practices of collaborative works and productions of various artists who are intending international and/or intercultural collaboration and interviewed those artists (directors, playwrights, artistic directors and managers) to find out about the actual collaborative process. I am now in the process of preparing a paper to present at an annual conference of the Association of Comparative Drama which will be held in the spring of 2008.

这个项目是我在前几年的科学研究资助金的支持下进行的研究的构思和发展，文化政治，艺术管理，20世纪世纪美国表演艺术的公共政策理论与实践，本研究的目的是从理论和实践两个方面来考察美国表演艺术中的政治和文化因素，全球化时代的美国表演艺术，特别是在纽约市世界贸易中心9111恐怖袭击之后。在进行这项研究时，有三个主题：1.恐怖主义暴力在美国戏剧领域中的身体表现2.全球化文化在美国表演艺术中的生产与接受3.文化的全球与地方集权与分权及其实践在研究的第一阶段，我重新审视了跨文化主义的概念和戏剧领域以及文化领域的混合概念，以及它们在9/11事件后是如何转变的。我也有机会回应两篇关于性别暴力的论文，这两篇论文是在我自己大学的COE项目年会上发表的。这让我有机会重新思考暴力的表现形式。我的回答被收录在本研究的合订本中。我还收集了各种有意进行国际和/或跨文化合作的艺术家的合作作品和制作的实践信息，并采访了这些艺术家（导演，剧作家，艺术总监和经理），以了解实际的合作过程。我现在正在准备一篇论文，将在2008年春季举行的比较戏剧协会年会上发表。

项目成果

期刊论文数量（30）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

Ann McClintock, Imperial Leatherを読む

阅读 Ann McClintock，《帝国皮革》

DOI：
发表时间：
2005
期刊：
F-GENSジャーナル 2(校正済)
影响因子：
0
作者：
戸谷陽子;戸谷陽子;Yoko Totani;Yoko Totani;戸谷陽子;戸谷陽子;戸谷陽子;戸谷陽子;戸谷陽子;Yoko Toani;Yoko Totani;戸谷陽子
通讯作者：
戸谷陽子

Response to Ann Cubilie and Hyunah Yang

对 Ann Cubilie 和 Hyunah Yang 的回应

DOI：
发表时间：
2005
期刊：
Frontiers of Gender Studies Journal No.3
影响因子：
0
作者：
戸谷陽子;戸谷陽子;Yoko Totani;Yoko Totani;戸谷陽子;戸谷陽子;戸谷陽子;戸谷陽子;戸谷陽子;Yoko Toani;Yoko Totani
通讯作者：
Yoko Totani

いかにして権力はパフォームするのか暴力の再現前とジェンダー配備コメント原稿

权力如何运作：在暴力再现和性别部署评论草案之前