The Music situation in Dejima in the 1820s-The Performance of Operetta and Siebold' Piano

2005 - 2007年的研究结果分为两部分。第一个与19世纪20年代在Dejima的轻歌剧表演有关。其内容见《荷兰商社日记》。1820年，荷兰商社社长以长崎知事为契机，邀请了日本人。并表演了两部轻歌剧。一个是“一个脾气暴躁的人”，另一个是“两个猎人和一个卖奶的女儿”。前者是一个债主父亲的女儿和一个脾气暴躁的男人展开的爱情故事。后者正是让两个猎人和一个卖奶女儿的相遇解释了一个世界的无理性：两个猎人都梦想着通过捕猎熊并出售其皮毛来一夜暴富。由于贵族的女儿私奔，女儿沦落为卖牛奶的人。西博尔德的聘请画家河原圭贺将这两部轻歌剧的演出情况用七幅画表达了出来，并被新泻柏崎市的“黑船馆”收藏为“奥兰达戏剧人物卷”。此外，“两个猎人和一个卖奶的女儿”还获得了2000年纪念日本和荷兰交换演出的轻歌剧录音，并对内容进行了分析。第二个研究是西博尔德的钢琴。在1828年西博尔德离开日本时，它被送给了山口县萩城的富商熊谷真门，而在那之后，它的存在就被遗忘了。另一方面，1955年，由田中Sukekazu保管。1965年熊屋美术馆开馆时，它作为重要的收藏品展出，一直延续到今天。此外，西博尔德还在用这架钢琴作曲，并于1874年在维也纳以乐谱的形式出版。其中还包含了日语“Kappore”的歌词。作为日本人的西博尔德所不知道的整个表面是能够澄清的。

The Research results from 2005 to 2007 are divided into two parts.The first is related with performance of operetta in Dejima in the 1820s.The contents are described in the " Netherlands trading house diary ". On the occasion of the Nagasaki magistrate,The Netherlands trading house chief invited Japanese people in 1820. And performed and showed two operetta as them. One is " A quick-tempered man " and another is " Two hunters and one daughter of milk sale ". The former is a love tale which a moneylender father's daughter and a quick-tempered man unfold. The latter is what let the encounter with two hunters and one daughter of milk sale explained the non-reason of a world: two hunters are dreaming of making a fortune at a stroke pass by hunting bears and selling its fur. The daughter is reduced to milk sale as a result of the daughter's of an aristocrat elopement.Keiga Kawahara who was Siebold's retained painter expressed the situation of performance of these two operetta to seven pictures, and it has been possessed as a " Oranda play figure volume " by " Kurofune-kan " in Kashiwazaki city, Niigata.Moreover, " Two hunters and one daughter of milk sale " received the recording of the operetta performed by commemorating Japan and the Netherlands exchange in 2000, and analyzed the contents.The second research is Siebold's piano. It is presented to Goemon Kumaya who is the wealthy merchant in Hagi, Yamaguchi when Siebold left Japan in 1828, and the existence is forgotten away after that on the other hand-in 1955-by Sukekazu Tanaka. When the Kumaya art museum will be inaugurated in 1965, it came to be exhibited as an important possession article, and has continued by the end of today.Moreover, Siebold is also doing composition on this piano and is published as a score in Vienna in 1874. In it, the song with words of Japanese " Kappore " is also contained. The whole surface by which Siebold who was Japan hands is not known was able to be clarified.