The Music situation in Dejima in the 1820s-The Performance of Operetta and Siebold' Piano

2005年至2007年的研究成果分为两部分，第一部分是与19世纪20年代出岛轻歌剧演出有关的研究，内容见《荷兰商行日记》。1820年，在长崎县知事之际，荷兰商社社长邀请了日本人。两个小歌剧的演出。一个是“一个急脾气的人“，另一个是“两个猎人和一个女儿的牛奶销售“。前者是一个放债人父亲的女儿和一个脾气暴躁的男人的爱情故事。后者是什么让遇到两个猎人和一个女儿的牛奶销售解释了一个世界的非理性：两个猎人都梦想着发财一击通过狩猎熊和出售其毛皮。女儿因贵族女儿的私奔而沦为牛奶销售品。西博尔德的御用画家河原圭贺将这两部轻歌剧的演出情况表现为7幅画面，被新泻柏崎市的“黑船馆“作为“奥兰达戏剧人物卷“拥有。《两个猎人和一个女儿的牛奶销售》是2000年日本和荷兰交流纪念演出的轻歌剧，并对其内容进行了分析。1828年西博尔德离开日本时，熊屋五右卫门是山口县的富商，1955年，田中祐一将它送给了熊屋五右卫门。1965年熊屋美术馆开馆时，它作为重要的收藏品展出，至今仍在继续。此外，西博尔德还在这架钢琴上作曲，并于1874年在维也纳作为乐谱出版。其中还收录了带有日语“Kappore”歌词的歌曲。西博尔德谁是日本手不知道的整个表面能够澄清。

The Research results from 2005 to 2007 are divided into two parts.The first is related with performance of operetta in Dejima in the 1820s.The contents are described in the " Netherlands trading house diary ". On the occasion of the Nagasaki magistrate,The Netherlands trading house chief invited Japanese people in 1820. And performed and showed two operetta as them. One is " A quick-tempered man " and another is " Two hunters and one daughter of milk sale ". The former is a love tale which a moneylender father's daughter and a quick-tempered man unfold. The latter is what let the encounter with two hunters and one daughter of milk sale explained the non-reason of a world: two hunters are dreaming of making a fortune at a stroke pass by hunting bears and selling its fur. The daughter is reduced to milk sale as a result of the daughter's of an aristocrat elopement.Keiga Kawahara who was Siebold's retained painter expressed the situation of performance of these two operetta to seven pictures, and it has been possessed as a " Oranda play figure volume " by " Kurofune-kan " in Kashiwazaki city, Niigata.Moreover, " Two hunters and one daughter of milk sale " received the recording of the operetta performed by commemorating Japan and the Netherlands exchange in 2000, and analyzed the contents.The second research is Siebold's piano. It is presented to Goemon Kumaya who is the wealthy merchant in Hagi, Yamaguchi when Siebold left Japan in 1828, and the existence is forgotten away after that on the other hand-in 1955-by Sukekazu Tanaka. When the Kumaya art museum will be inaugurated in 1965, it came to be exhibited as an important possession article, and has continued by the end of today.Moreover, Siebold is also doing composition on this piano and is published as a score in Vienna in 1874. In it, the song with words of Japanese " Kappore " is also contained. The whole surface by which Siebold who was Japan hands is not known was able to be clarified.