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The History of Christian Music in Japan which was introduced by St.Francis Xavier in the 16th Century, includinga a Prayr Song entitled UTA ORASHO which is currently practiced by the hidden Christians of Ikitsuki Island of Nagasaki Prefecture

日本基督教音乐史，由圣弗朗西斯·沙勿略在 16 世纪介绍，其中包括一首名为 UTA OASHO 的祈祷歌曲，目前由长崎县生月岛隐秘的基督徒所练习

基本信息

批准号：
07610338
负责人：
TAKEI Shigemi
金额：
$ 0.64万
依托单位：
Miyazaki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1997
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610338/
关键词：
Christian music St.Francis Xavier Gregorian chant The hidden Christian ORASHO UTA ORASHO SEMINARIO おらしょサビエル

项目摘要

The Research results from 1995 to 1997 are divided into three parts.The first is clarification of these things : 1.The prayr song introduced by St.Francis Xavier in the 16th century. (1)BUNGO FUNAI (Oita city) as a nursery, growing the flower of "the Western Music" . (2)The contents of music education in SEMINARIO (the Christian elementary school). (3)The footprints in Europe by the Japanese goverment mission and the music which they are believed to have heard. (4)The variety of instruments brought by them from Europe. (5)The contents of the music playd before Hideyoshi by the group. 2.The traces of Western music continuing after the prohibition of Christianity in Japan, and the existence of UTA ORASHO and its practice by the hidden Christians of Ikitsuki Island.The second part is directorship of an amateur chrus group specializing in and performing the Medieval and Renaissance music which Japanese first encountered in the 16th century, and creation and presentation of lectureconcerts of the music.The third part is transformation of each melody of UTA ORASHO into the staff notation (taped in 1975,91,93,95,96,97). comparison presented these resuits ; "GURURIYOZA" was not much changed. However, "RAODATE" and "NAJYO" were very much changed.Because of our results, we can see the significance of continuing to research this special area of Japanese history.

1995年至1997年的研究成果分为三部分。第一部分是对这些事情的澄清：1、16世纪圣方济各沙勿略引入的祈祷歌。 (1)丰后船内（大分市）作为苗圃，培育“西洋音乐”之花。 (2)SEMINARIO(基督教小学)的音乐教育内容。 (3)日本政府使团在欧洲的足迹和他们相信听到的音乐。 (4)他们从欧洲带来的乐器种类繁多。 (5)团体在秀吉面前演奏的音乐内容。 2.日本禁基督教后西方音乐的痕迹，以及UTA ORASHO的存在和生月岛隐秘基督徒的实践。第二部分是日本人在16世纪首次接触到的中世纪和文艺复兴音乐的业余chrus乐队的指挥，以及音乐讲座音乐会的创作和呈现。第三部分是每个旋律的转变 UTA ORASHO 进入五线谱记谱（录制于 1975、91、93、95、96、97）。比较呈现了这些结果； “GURURIYOZA”没有太大变化。然而，“RAODATE”和“NAJYO”发生了很大的变化。从我们的结果中，我们可以看到继续研究日本历史这一特殊领域的意义。