Cleaning, Cooking, Caring. Care Work in Art in Western- and Eastern Europe, in the USA and Latin America since 1960

清洁、做饭、照顾。

• 批准号: 490754077
• 负责人: Professorin Dr. Änne Söll
• 金额: --
• 依托单位: Kunstgeschichtliches Institut
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/490754077?language=en
• 关键词: Cleaning; Cooking; Caring.; Care; Work

Since the 1960s, female artists around the world have been critically engaged with gender politics and the social consequences of care work. In the wake of second-wave feminism beginning in the 1960s, in particular, the “Wages for Housework” campaign launched in Marxist circles, they began to develop artistic techniques and processes to articulate demands for a new, equitable distribution of labor. It is the aim of this research project to generate an overview, analysis and contextualization, as well as a critical evaluation of reproductive labor in art since 1960. In three interlocking parts, each with its unique regional and thematic focus, the project examines how reproductive labor is made visible in art: Section I, “Cleaning in the Museum: Reproductive and Care Work as a Provocation of Contemporary Art” investigates artistic-reproductive processes in terms of their relationship to questions of creativity, technique, and the debate on skill and de-skilling. Section II, “Double Shift in East and West: The Care/Worker between Assembly Line and Kitchen in Art 1960 to 1990” examines works of art that deal with the double burden of women between care work and factory labor, to ask what parallels and differences exist here between Eastern and Western Europe. Section III, “‘Women Who Organize Don’t Iron Shirts’ (Mujeres Creando): Care Work in Latin American Art Since the 1980s” examines works of art from the 1980s to the present that, in the context of globalization and migrant labor, thematize feminist artistic practice concerning reproductive labor in Latin America.

自1960年代以来，世界各地的女性艺术家一直参与性别政治和护理工作的社会后果。尤其是从1960年代开始的第二波女权主义之后，在马克思主义圈子中发起了“家务劳动”运动，他们开始开发艺术技术和流程，以表达对新的，公平的劳动分配的需求。 It is the aim of this research project to generate an overview, analysis and contextualization, as well as a critical evaluation of reproductive labor in art since 1960. In three interlocking parts, each with its unique regional and thematic focus, the project examinations how reproductive labor is made visible in art: Section I, “Cleaning in the Museum: Reproductive and Care Work as a Provocation of Contemporary Art” investigates artistic-reproductive processes in他们与创造力，技术问题以及有关技能和消除技巧的辩论的关系。第二节，“东方的双重转变：1960年至1990年艺术中的装配线和厨房之间的护理/工人”的考试艺术品，涉及妇女在护理工作和工厂劳动之间的双重燃烧，以询问东欧之间和西欧之间存在什么相似之处和差异。第三节，“组织不熨衫的妇女”（Mujeres Creando）：自1980年代以来的拉丁美洲艺术护理工作”研究了从1980年代到现在的艺术作品，在全球化和移民劳动的背景下，主题化了女性主义艺术习惯，这些艺术是在拉丁美洲的生殖实验。