Karl Philipp Moritz, Complete works. Critical and annotated edition, vol. 3; Theoretical writings onart and literature

卡尔·菲利普·莫里茨，全集。

• 批准号: 507012920
• 负责人: Privatdozent Dr. Martin Disselkamp
• 金额: --
• 依托单位: Berlin-Brandenburgische Akademie der Wissenschaften
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/507012920?language=en
• 关键词: Karl; Philipp; Moritz; Complete; works.

Volume 3 of the Critical Karl Philipp Moritz Edition contains Moritz’s theoretical writings on art and literature. These include his seminal contributions to aesthetic theory, which formulate the idea of the self-referential work of art and elucidate its consequences, namely, Versuch einer Vereinigung aller Künste und Wissenschafte unter dem Begriff des in sich selbst Vollendeten (An essay to subsume all arts and sciences under the concept of an object completed in itself); Ueber die bildende Nachahmung des Schönen (On the formative imitation of the beautiful); In wie fern Kunstwerke beschrieben werden können (To what extent can works of art be described); and Ueber die Allegorie (On allegory). In addition, the volume features a number of shorter essays on art and literature, most of which were originally printed in journals; and other independent publications: Versuch einer deutschen Prosodie (An essay on German prosody, edited by Lars Korten): a polemic treatise directed at Joachim Heinrich Campe on the relationship between author and publisher: Vorbegriffe zu einer Theorie der Ornamente (Preliminary thoughts on a theory of ornamentation): and Vorlesungen über den Styl (Lectures on style). Moritz’s essay “Die metaphysische Schönheitslinie" (The metaphysical line of beauty), which belongs thematically to this group of texts, was published in 1793 in the anthology Die große Loge (The great lodge: contained in voiume 6 of the critical edition from 2013). Several shorter texts related to the range of topics covered in volume 3 will appear in volume 13. which documents Moritz's activities as a member of the Berlin academies.The series of writings collected in volume 3 begins in 1785. Most of them, however, were written during and after Moritz’s trip to Italy (1786-1788). They present the author in a new role: known previously for his writings on topics that included pedagogy, linguistics, and psychology, and for his Reisen eines Deutschen in England {Travels, Chiefly on Foot, through Several Parts of England) and his autobiographical novel, Anton Reiser, Moritz appears here as a theoretician of classicism. Writing from this position, Moritz grapples with the traumas that marked his own biography, with questions posed by rationalist philosophy, and with an art and literary scene in this midst of transformation. He also responds to contemporaneous developments in the natural sciences. From the perspective of cultural history, the volume presents Moritz at the center of Berlin’s burgeoning heyday at the turn of the eighteenth and nineteenth centuries, documenting a dose connection between Moritz’s publications on art and his activity as professor for the theory of fine arts at the Berlin Academy of Arts from 1789.The essays and independent writings that will be published in this volume have already been shaped by a history of editions. This edition offers a critical apparatus that establishes the edited texts while tracing connections to other prints

第三卷的批评卡尔菲利普莫里茨版包含莫里茨的艺术和文学的理论著作。这些包括他对美学理论的开创性贡献，该理论阐述了艺术的自我参照工作的概念并阐明了其后果，即，Versuch einer Vereinigung aller knste und Wissenschafte unter dem Begriff des in sich selbst Vollendeten（一篇将所有艺术和科学纳入自身完成的对象概念的文章）；Ueber die bildende Nachahmung des Schönen（论对美的形式化模仿）；In wie fern Kunstwerke beschrieben werden können（艺术作品可以被描述到什么程度？）和Ueber die Allegorie（论寓言）此外，本卷还包括一些关于艺术和文学的短篇文章，其中大多数最初是在期刊上印刷的；和其他独立出版物：Versuch einer deutschen Prosodie（一篇关于德国韵律的文章，由Lars Korten编辑）：针对约阿希姆·海因里希·坎普的关于作者和出版商之间关系的辩论论文：Vorbegriffe zu einer Theorie der装饰（装饰理论的初步思考）和Vorlesungen <e:1> ber den style（风格演讲）。莫里茨的文章“Die metaphysische Schönheitslinie”（形而上学的美线），在主题上属于这组文本，于1793年发表在选集Die große Loge（伟大的小屋：包含在2013年评论版的第6卷）中。与第3卷所涵盖的主题范围有关的几个较短文本将出现在第13卷中。记录了莫里茨作为柏林学院成员的活动。第三卷收录的系列著作开始于1785年。然而，他们中的大多数都是在莫里茨的意大利之行（1786-1788）期间和之后写的。他们以一个新的角色呈现了作者：莫里茨之前以其关于包括教育学、语言学和心理学在内的主题的著作，以及他在英国的《徒步旅行》和他的自传体小说《安东·雷瑟》而闻名，莫里茨在这里以古典主义理论家的身份出现。从这个角度出发，莫里茨努力处理自己传记中的创伤，理性主义哲学提出的问题，以及转型中的艺术和文学场景。他也对当时自然科学的发展作出了回应。从文化史的角度来看，该卷呈现莫里茨在柏林的蓬勃发展的全盛时期的中心，在十八和十九世纪之交，记录了莫里茨的出版物在艺术和他的活动之间的剂量连接作为美术理论教授在柏林艺术学院从1789年。将在本卷中发表的论文和独立作品已经被版本的历史所塑造。这个版本提供了一个关键的仪器，建立编辑文本，同时追踪连接到其他印刷品