Coordination Funds

《数字图像》节目以艺术史和传媒学为起点，从多个角度审视图像在理论和实践知识数字化的复杂过程中所起的中心作用，它汇集了彼此或多或少具有亲和力的各种学科的示范项目。《意图》是对这一维度的批判性主题化和反映，是一场深刻的认识论剧变。在我们的理解中，这只能在绝对跨学科的交流中进行，理想情况下也要特别纳入信息科学。协调的目标和具体挑战是促进和确保各个项目之间的富有成果的交流，这些项目来自广泛的人文和社会科学领域，但每个项目的研究范式取向却非常不同。这些交叉一方面源于对视觉文化、视觉艺术、视觉文化遗产的审视，另一方面源于对数字方法的历史、理论和实践反思的审视，尤其是对图像领域的定位。

The program "The Digital Image" examines from a multi-perspective point of view, with a starting position in art history and media studies, in the bringing together of exemplary projects from various subjects with more or less affinity to each other, the central role that the image in its digital appearance has in the complex process of the digitalization of knowledge in theory and practice. The intention is a critical thematization and reflection of this dimension as a profound epistemological upheaval. In our understanding, this can only take place in a decidedly transdisciplinary exchange, ideally also with special inclusion of the information sciences. The goal and particular challenge of coordination is to stimulate and ensure fruitful exchange among the individual projects, which come from the broad field of the humanities and social sciences, but whose research paradigmatic orientation is very different in each case. The intersections arise on the one hand from the examination of visual culture, visual arts, the visual cultural heritage on the other hand from the historical, theoretical and practical-reflective examination of digital methods and here especially the addressing of the field of the image.