Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene

原住民女性气质和现代身份：晚期殖民视觉场景中的性别和种族

• 批准号: DP0450600
• 负责人: Dr Liz Conor
• 金额: $ 15.62万
• 依托单位: The University of Melbourne
• 依托单位国家: 澳大利亚
• 项目类别: Discovery Projects
• 财政年份: 2004
• 资助国家: 澳大利亚
• 起止时间: 2004-07-16 至 2008-07-15
• 项目状态: 已结题
• 来源: https://dataportal.arc.gov.au/RGS/Web/Grants/DP0450600
• 关键词: Aboriginal; Femininity; Modern; Identity; Gender

The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the perceived failure of 'Mission Mary' to appear modern; the relation of Aboriginal femininity to imported forms of exoticism; the fetishism of Indigenous women; girl piccaninny kitsch in domestic and tourist ornaments; and the entrance of public Aboriginal women and celebrities into modernity.

该项目是1870-1967年澳大利亚土著妇女的第一部持续的文化史。它将借鉴现代视觉文化的各种形式：绘画、黑白白色绘画、大众商品奇观、电影和摄影，探讨土著女性能见度的六种生产模式：西方展览实践中的“原始”妇女，如殖民博物馆;“使命玛丽”出现现代的失败;土著女性气质与外来形式的关系;土著妇女的拜物教;家庭和旅游装饰品中的女孩piccaninny媚俗;以及公共土著妇女和名人进入现代化。