The costume and the group of men and women in the genre painting of Momoyama-period

桃山时期风俗画的服饰及男女群像

• 批准号: 61510024
• 负责人: YAMAOKA Taizo
• 金额: $ 0.96万
• 依托单位: Kansai University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for General Scientific Research (C)
• 财政年份: 1986
• 资助国家: 日本
• 起止时间: 1986 至 1987
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-61510024/
• 关键词: The expression of the group of men and women; family-like; artificial; psychological; The design of the costume; simple and horizontal; complex and diagonal; 心理描写的; 小袖文様; 分散的; 動的; 集中的; 小袖文様および群像構成について、その種類と例数を図表化して、諸作品の年代決定のための一規準とする。

1, Keicho-period.(1) The kyoto-city is depicted from the geografical point of view, and the groups of men and women in the city seem to be mere passers-by or families.(2) The design of the costume is simple and the motives are not so impressive. The design is often devided into 3 parts (A-B-A),and is called Katasuso in Japanese.2, Genna-period.(1) The crowded places in kyoto-city are mainly depictel,and the groups of men and women become more and more important in that picture, and even the psychological situation can be seen in that groups.(2) The design of the costame becomes more complex and gorgeous, and there appears the motive of the vertical or diagonal stripe.3, Kanei-period.The genre painting has mostly the indoor-scene and the psychological expression much advanced so that the situation is often limited to the man to woman connection.(2) The costume has a main motive and the design becomes concentrative to the main motive

1、开町时期。(1)京都城是从地理学的角度来描绘的，城市中的男男女女似乎只是路人或家庭。(2)服装的设计很简单，动机并不那么令人印象深刻。设计通常分为3个部分（A-B-A），在日本被称为Katasuso。2，Genna时期。(1)在京都市的拥挤的地方主要是旅馆，男性和女性的群体在这幅图中变得越来越重要，甚至心理状况也可以在这些群体中看到。(2)服装的设计变得更加复杂和华丽，并出现了垂直或对角线条纹的动机。3，Kanei时期。风俗画主要是室内场景和心理表达非常先进，因此情况往往局限于男人与女人的联系。(2)服装有一个主要的动机，设计成为集中的主要动机

项目成果

山岡泰造: 「MUSEUM」東京国立博物館美術誌.

山冈泰三：《MUSEUM》东京国立博物馆艺术杂志。

山岡 泰造: 『MUSEUM』東京国立博物館美術誌. (1988)

山冈泰三：“博物馆”东京国立博物馆艺术杂志（1988）。

山岡泰造: 関西大学文学論集.

山冈泰三：关西大学文学集。