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RHETORIC OF FABLE ILLUSTRATION AND ITS TEXT --- AESOP IN MODERN AGES' JAPAN

寓言插图及其文本的修辞——近代日本的《伊索寓言》

基本信息

批准号：
63510031
负责人：
HIGUCHI Keiko
金额：
$ 1.15万
依托单位：
DAITO BUNKA UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1988
资助国家：
日本
起止时间：
1988 至 1989
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-63510031/
关键词：
Illustration Text Rhetoric Fable イソップ物語挿絵のレトリック

项目摘要

"Aesop's Fable" was introduced to Japan in the 16th century and was published even under Sakoku (the national isolation's ages). There are, nowadays, several studies about the Aesop's Fable in the modern ages in Japan called "Isoho Monogatari", but almost these researches are about its text and the origin. My study is on the illustration and its actual relationship between illustration and text. "the Manji version" of Aesop's Fable which are fulled with illustrations is, thus, mainly treated in this study.After the introduction to Japan, "Isoho Monogatari" was altered, modified, and japaniezed both on the illustration and text. Strange figures of animal were adopted there from "Dobutsu Zufu (Animal's Picture Book)" which was imported from Holland, or were imaged and created by illustrators, and these animals were collaged on the Japanese back grounds: houses, gardens, mountains, etc. It provides an unique character of Aesop's fable in Japan. Text were also modified in according with th … More e Japanese feelings and morals. Therefore "Isoho Monogatari" offers a very interesting figure. My study made clear the peculiarity of this illustration and text, and extracts a Japanese rhetoric in this kind of picture book. "Isoho Monogatari" is a very good specimen to compare a Japanese illustration's essence in modern age with an european's one. I analyzed also other european Aesop's versions; the Naples version, Tuppo's version, the Venice version, the Lyon version, etc., and made a minute description about the Manji version of Isoho Monogatari. The text of this version is almost same as the Kanei's one: the life of Aesop are very precisely described and there are not so many omissions in comparison with the part of animal fable. Also, a great part of the illustration of Manji version are adopted to Aesop's life. In Japan at that time, an enthusiasm of translator and illustrator seems to be concentrated ratherly to Aesop himself. In the fable's part, a cruelty were soften and the text are fulled with resignation. We could say that the other Japanese fables or moral stories predominated at that epoch had influenced them.In analyzing the relationship between illustration (Image) and text (language), as a secondary effect of this study, I got an essence of a metonymy as a senuous figure. Less

《伊索寓言》于16世纪世纪传入日本，并在锁国时代出版。日本近代关于伊索寓言的研究有几种，称为《伊索寓言物语》，但这些研究大多是关于伊索寓言的文本和起源的。本文研究的是插图及其与文本的实际关系。《伊索寓言》在传入日本后，在插图和文字上都发生了变化、修改和日本化。这里采用了从荷兰引进的《动物图画书》中的奇异动物形象，或由插画家形象化、创造，将这些动物拼贴在日本的背景：房屋、花园、山脉等，形成了伊索寓言在日本的独特性。还根据《公约》的规定修改了文本， ...更多信息 e日本人的感情和道德。因此，《矶穗物语》提供了一个非常有趣的人物。本文通过对这类图画书的研究，明确了图画书中插图和文字的特殊性，并从中提炼出一种日语修辞。《矶穗物语》是比较近代日本插画与欧洲插画精髓的一个很好的样本。我也分析了欧洲其他的伊索版本，那不勒斯版本，图普版本，威尼斯版本，里昂版本，等等，并对《等报物语》的万字版进行了详细的描述。这一版本的文本与金井的版本几乎相同：伊索的生平被非常精确地描述出来，与动物寓言的部分相比，没有那么多的遗漏。此外，《万字传》中的插图也有很大一部分被用于伊索的生活。在当时的日本，翻译家和插画家的热情似乎都集中在伊索本人身上。在寓言部分，一种残酷被软化了，文本充满了无奈.可以说，当时占主导地位的其他日本寓言或道德故事也对它们产生了影响。在分析插图（图像）和文本（语言）之间的关系时，作为本研究的一个次要影响，我得到了作为一个感性人物的转喻的本质。少