RHETORIC OF FABLE ILLUSTRATION AND ITS TEXT --- AESOP IN MODERN AGES' JAPAN

《伊索寓言》于16世纪传入日本，甚至在日本闭关锁国时期也出版了。目前，日本有一些关于现代伊索寓言的研究，称为“伊索寓言”，但这些研究大多是关于它的文本和起源。我研究的是插图以及插图与文本之间的实际关系。因此，本文主要研究的是插图丰富的《伊索寓言》的“满吉版”。《Isoho Monogatari》传入日本后，在插图和文字上都进行了修改、修改和日本化。他们采用了从荷兰进口的《动物图画书》中的奇怪的动物形象，或者由插画家拍摄和创作，并将这些动物拼贴在日本的背景上：房屋、花园、山脉等。它提供了日本伊索寓言的独特特征。文字也根据日本人的感情和道德进行了修改。因此，《一夫一妻》提供了一个非常有趣的形象。我的研究明确了这种插图和文字的特殊性，并在这种绘本中提取了一种日语修辞。“Isoho Monogatari”是比较现代日本插图和欧洲插图本质的一个很好的样本。我还分析了其他欧洲版本的伊索寓言；那不勒斯版本，图波版本，威尼斯版本，里昂版本，等等，并对Manji版本的《Isoho Monogatari》做了简短的描述。这个版本的文字与Kanei的版本几乎相同：伊索的生活被非常精确地描述，与动物寓言的部分相比，没有那么多的遗漏。此外，《满集》的插图也有很大一部分被运用到伊索的生活中。在当时的日本，译者和插画家的热情似乎都集中在伊索本人身上。在寓言的部分，残酷被软化，文本充满了无奈。我们可以说，在那个时代占主导地位的其他日本寓言或道德故事影响了它们。在分析插图（图像）和文本（语言）之间的关系时，作为本研究的次要效果，我得到了转喻作为感性形象的本质。少

"Aesop's Fable" was introduced to Japan in the 16th century and was published even under Sakoku (the national isolation's ages). There are, nowadays, several studies about the Aesop's Fable in the modern ages in Japan called "Isoho Monogatari", but almost these researches are about its text and the origin. My study is on the illustration and its actual relationship between illustration and text. "the Manji version" of Aesop's Fable which are fulled with illustrations is, thus, mainly treated in this study.After the introduction to Japan, "Isoho Monogatari" was altered, modified, and japaniezed both on the illustration and text. Strange figures of animal were adopted there from "Dobutsu Zufu (Animal's Picture Book)" which was imported from Holland, or were imaged and created by illustrators, and these animals were collaged on the Japanese back grounds: houses, gardens, mountains, etc. It provides an unique character of Aesop's fable in Japan. Text were also modified in according with th … More e Japanese feelings and morals. Therefore "Isoho Monogatari" offers a very interesting figure. My study made clear the peculiarity of this illustration and text, and extracts a Japanese rhetoric in this kind of picture book. "Isoho Monogatari" is a very good specimen to compare a Japanese illustration's essence in modern age with an european's one. I analyzed also other european Aesop's versions; the Naples version, Tuppo's version, the Venice version, the Lyon version, etc., and made a minute description about the Manji version of Isoho Monogatari. The text of this version is almost same as the Kanei's one: the life of Aesop are very precisely described and there are not so many omissions in comparison with the part of animal fable. Also, a great part of the illustration of Manji version are adopted to Aesop's life. In Japan at that time, an enthusiasm of translator and illustrator seems to be concentrated ratherly to Aesop himself. In the fable's part, a cruelty were soften and the text are fulled with resignation. We could say that the other Japanese fables or moral stories predominated at that epoch had influenced them.In analyzing the relationship between illustration (Image) and text (language), as a secondary effect of this study, I got an essence of a metonymy as a senuous figure. Less