A STUDY ON NETHERLANDISH ARCHITECTURAL PAINTING

荷兰建筑绘画研究

• 批准号: 06610050
• 负责人: FUJITA Haruhiko
• 金额: $ 1.15万
• 依托单位: KYOTO INSTITUTE OF TECHNOLOGY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1994
• 资助国家: 日本
• 起止时间: 1994 至 1996
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-06610050/
• 关键词: Netherlands; Architectural Painting; Interior Painting; Church Interior; Saenredam; De Vries; Netherlands; Saehredam; ヤン・ファン・エイク; 初期フランドル絵画; 初期ネ-デルラント絵画; イタリア絵画; マビューズ; フレーデマン・デ・フリース; 透視画法

Although views of buildings and towns were painted since 15th century in Early Netherlandish painting, they had the secondary function of providing a setting for the main subject.With some exceptions, the painted architecture tends to be not very realistic, and it is rather difficult for us to call it architectural painting.In Antwerp, Hans Vredeman de Vries and his son made an important contribution to perspective in a treatise of 1604. However, they seem to have regarded architectural painting as a means to another end : an opportunity for painters to show their ability of drawing and painting perspective view.One of the real founders of architectural painting was Pieter Saenredam of Haarlem. His works show topographical accuracy and are built up with minute architectural details, with the addition of small figures. Architecture was not a setting or background for some main subjects other than itself, but his main theme.

尽管自15世纪早期的荷兰绘画以来就对建筑物和城镇的景色进行了绘画，但它们具有为主要主题提供设置的次要功能。与某些例外，绘画的建筑往往不是很现实，我们很难称其为建筑绘画。但是，在Antwerp，Hans vredeman de Vries和他的角度造成了贡献。建筑绘画作为另一端的手段：画家有机会展示他们的绘画和绘画视角的能力。他的作品显示了地形准确性，并以微小的建筑细节构建，并增加了小人物。建筑不是本身以外的某些主要主题的设置或背景，而是他的主要主题。

项目成果

Haruhiko Fujita: "The Sun of the Western Europe" Minzoku-Geijyutsu (Ethno-Arts). Vol.12. 30-36 (1996)

藤田晴彦：“西欧的太阳”民俗艺术（民族艺术）。

藤田治彦: "西欧の太陽" 民族藝術. 12. 30-36 (1996)

藤田晴彦：《西欧的太阳》民族艺术。12. 30-36 (1996)

藤田治彦: "モ-ルバラのウィリアム・モリス" デザイン理論. 34. 115-126 (1995)

Haruhiko Fujita：“莫尔伯勒的威廉·莫里斯”设计理论 34. 115-126 (1995)。

藤田治彦: "表現の東西「窓」" チャイム銀座. 6. 18-21 (1995)

Haruhiko Fujita：“表达的东西方‘窗口’”Chime Ginza。 6. 18-21 (1995)