BASIC PROJECT OF ARCHITECTURAL PAINTING AND PATTERNS

在本研究中，追溯了逐渐在主神社的各个部分引入的影响的套路。通过对剩余的主神社实例的考察，可以清楚地看出，每一种建筑木材的着色装饰的使用都是在森山时期。虽然森山时期是最好的时期，但旧文献认为鼎盛时期开始于镰仓时期。最初，主神社通过使用Nitsuhi，Kohmyohtan，Benigara等以一种单调的色调被涂成红色，但在下一阶段，他们可能是受装饰系统的影响，在括号系统之间有雕塑。接下来，在围栏系统下面的柱子的上部被涂上了美丽的颜色，这被称为Kinranmaki。如此一来，神社的上部逐渐呈现出装饰的面貌，集中了人们的目光。这种装饰倾向应该是受到了佛教寺庙的影响。而在那里，最具装饰性的部分是在南晋的圣地，通常被四根圣柱(称为什坦巴希拉)包围的地方。佛像就矗立在这里。佛像周围是最独立的空间，人们通过放置天爱和放置彩饰来关注这个空间，最初推测这部分彩饰对大殿的影响很大。但这种色彩装饰逐渐发生变化，发展成许多不同的类型，是主庙特有的。通过本文的研究，可以清楚地看到，通过加入传统的色彩图案，主神庙是如何变得五颜六色的。

In this study it is traced back the routine of coluring influence gradually introduced in every part of main shrine. And by investigating the remaining examples of main shrine, it could be madc clear that usage of coloring decoration in every architectural timber is in the Momoyama period.Though the Momoyama period was at its best, but the flourishing period is considered to begin in the Kamakura period by the old document, Munafuda.At first, the main shrine was colored in red by uesing Nitsuchi, Kohmyohtan, Benigara and so on in one monotonous tone, but in the next stage probably they colored the bracketing system part becaus of being influenced with decorative Kaerumata which has sculpture inside between the bracketing systems. Next the upper part of colums below the bracketing system was colored beautifully, which is called Kinranmaki. In this way the upper part of the shrine was gradually decorative on which part concentrated people's eye.These decorative tendency was supposed to be influenced by Buddhist temple. And there The most decorative part is the place surrounded by usually four sacred colums (called Shitenbashira) in Naijin, sacred place. Here stands the Buddha. Around the Buddha are the most respective space so that people paid much attention for the space by putting Tengai and by putting coloring decoration.It is conjectured that this part of coloring decoration strongly influenced to the main hall, at first. But this coloring decoration gradually changed and deveolped into many different types peculiar to that of the main shrine.In this study it could be made clear how the main shrine became colorful by putting traditional coloring patterns.