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Research on the Historical Development of the Work-Concept

工作观念的历史发展研究

基本信息

批准号：
07301063
负责人：
SASAKI Ken-ichi
金额：
$ 3.39万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1997
项目状态：
已结题

项目摘要

We published a report as the first substantial research upon the history of the concept of artwork. The report consists of 11 studies which are satisfactory in quantity as well as in quality. The subjects of these studies are as follows ; the work-concept in the Stoic poetics, the work-concept of Descartes, " description " and "expression" in the 18th century's England, E.Burk on the work-concept, Kant and the concept of "artwork" , Mozart and "work", the relationship between the work-concept and performance practice, "crystalization" as the modernistic work-concept, Heidegger on the work-concept, and so on. In order to show the historical development of the work-concept, we organized these studies chronologically in the respect of their subjects. Needless to say these studies can hardly cover the whole history of this concept, but we think they established the foundation for the further research in the future.It has been well known that the work-concept in today's understanding had been formed in modern Europe. Many of our detailed studies also cover the formative process of this conept in pre-modern and modern Europe including the explication of the words indicating work, the concepts and the arguments around work by philosophers like Descartes or Kant, and the thoughts of artists like Mozart upon work. One of our studies refer to a classic thought dealing work clearly, and the others deal some aspects of the diversified development of this concept since the late 19th century comprehending a philosophical transformation of the modern work-concept by Nishida, one of the most important Japanese philosopher in the 20th century.

我们发表了一份报告，作为对艺术品概念历史的第一次实质性研究。报告包括11项研究，在数量和质量上都令人满意。这些研究的主题有：斯多葛派诗学中的工作概念，笛卡尔的工作概念，18世纪英国的“描述”和“表达”，E·伯克关于工作概念的研究，康德与“艺术”概念的研究，莫扎特与“工作”的关系，工作概念与表演实践的关系，作为现代主义工作概念的“具体化”，海德格尔关于工作概念的研究等等。为了展示工作观念的历史发展，我们按照研究对象的时间顺序对这些研究进行了组织。不用说，这些研究很难涵盖这一概念的全部历史，但我们认为它们为未来的进一步研究奠定了基础。众所周知，今天理解中的工作概念是在现代欧洲形成的。我们的许多详细研究也涵盖了这一概念在前现代欧洲的形成过程，包括对表示作品的词语的阐释，笛卡尔或康德等哲学家围绕作品的概念和争论，以及莫扎特等艺术家对作品的思考。我们的一项研究明确提到了一部经典的思想处理作品，另一项研究则涉及这一概念自19世纪末以来的多样化发展的某些方面，以理解20世纪日本最重要的哲学家之一西田对现代工作概念的哲学转型。