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Basic Concepts of Aesthetics at the new Century

新世纪美学基本概念

基本信息

批准号：
16520073
负责人：
SASAKI Ken-ichi
金额：
$ 2.24万
依托单位：
Nihon University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2004
资助国家：
日本
起止时间：
2004 至 2006
项目状态：
已结题

项目摘要

I publish in the Scientific Report 7 studies on the following concepts :"Avant-garde" - this notion presupposed the historical conception of progress and the view regarding art as the representative high culture. The newness it claimed for was linked with the commercialism, and radically changed the being of art with its neglect of "metier", as to raise the re-definition of art."Newness/originality" - while the newness concerns perception, originality is the evaluative judgment on newness peculiar to the modern West. But with the concept of modernity, simple newness and fashion, and even the insistence of the sensational have been emphasized."The sublime" comes from rhetoric and designated the spiritual effect. In early modern times, it became one of the basic aesthetic categories, meaning the power of extremely large or strong. Its resurrection at the second half of the 20^<th> Century was done because some philosophers de-aesthetized it and related to the avant-gardist critical spiri … More t."Narrative" comprehends three different things ; narration, text, and the related fact. Its essence consists in the making the connection of two fact as cause and effect. It owes its philosophical interest to this phenomenological feature."Reproduction" is a multiplication of art object. There are two sorts: one with original and the other without original. Along with the radical progress of technology, reproduction has become extremely important, and especially with so-called "simulacra" that is signs without materiality, it is modifying the style of aesthetic experience."Grace/the erotic". Grace, regarded as the beauty of movement in modern times, was originally the beauty of life, and overlaps with the erotic. From such a viewpoint, we can grasp creative activity on the basis of life and civilization."Rhythm" means the vital feeling of moving phenomena. Although having been regarded as essence of music at the 19^<th> Century, it was dissolved in the 20^<th> Century music. Its importance is now found in bodily movement such as sports and dance. Less

我在《科学报告》中发表了关于以下概念的7项研究：“前卫”——这一概念预设了进步的历史观和将艺术视为高雅文化代表的观点。它所主张的新颖性与商业主义联系在一起，以忽视“技艺”的方式从根本上改变了艺术的存在，从而提出了对艺术的重新定义。 “新颖性/原创性”——新颖性涉及感知，而原创性则是现代西方特有的对新颖性的评价判断。但随着现代性的概念的出现，简单的新颖、时尚，甚至对煽情的坚持都被强调了。“崇高”来自于修辞，指的是精神效果。在近代早期，它成为基本的审美范畴之一，意味着极其巨大或强大的力量。它在20世纪下半叶的复活是因为一些哲学家将其去审美化并与先锋派批判精神联系起来。“叙事”包含三种不同的东西；叙述、文本和相关事实。其本质在于将两个事实作为因果联系起来。它的哲学兴趣归功于这种现象学特征。“复制”是艺术品的增殖。有两种：一种是带原件的，另一种是不带原件的。随着技术的飞速进步，复制变得极其重要，尤其是所谓的“拟像”，即没有物质性的符号，它正在改变审美体验的风格。“优雅/情色”。优雅，在现代被视为运动之美，原本是生命之美，与情欲有重叠。从这样的角度出发，我们可以把握生活和文明基础上的创造性活动。“韵律”是指运动现象的生命感觉。虽然在19世纪被视为音乐的精髓，但在20世纪的音乐中却被消解了。现在，它的重要性体现在体育和舞蹈等身体运动中。较少的