权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Modern Japanese Aesthetics (Meiji-Taisho era)

现代日本美学（明治大正时代）

基本信息

批准号：
12301003
负责人：
SASAKI Ken-ichi
金额：
$ 31.35万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12301003/
关键词：
Japan Modern Aesthetics Meiji Taisho

项目摘要

This research project consists of the reports presented by investigators and guest speakers at research meetings paralleled with the active gathering of literature materials. During the term of project, twenty-one research meetings were held with a total of twenty eight reports presented. Subjects were not limited to aesthetics but stretched to philosophy, literature and musicology, Through this research, one can see a breakthrough toward a new stage of understanding of modern Japanese aesthetics in the Meiji-taisho era The papers in this report, as listed below, are the fruits of this ardent study.The Relation between Epistemology of the beautiful and Axiology of goodness and beauty in the Enlightment Philosophy of Nishi Amane, On 'Bijutsu' in the context of modernization of Japan-from universal civilization to cultural nationalism, Showyo Tsubouchi and 'the Reform of Novels' 'Art Theory' in "Shosetsu-Shinzui"-On the State of 'Aesthetics' in the Time of "Shosetsu-Shinzui", On the Establishment of the Concept "Sakkyoku" in Japan, Position of Tea Ceremony in the Theory of Japanese Culture, The Position of 'Shouka' in Ongakurigai, Aesthetic Thought of Takayama Chogyu, Comparison and Type : Aesthetics of Otsuka Yasuji, Aesthetics of Hogetsu Shimamura-debates about a sense of beauty on a moonlight night, Territory of 'Shumi': Transformation of the theory of taste in Japan in the 1900s, The Concept of Genius in Natsume Soseki'e Theory of Literature-An Influence from the Degeneration Theory in fin de siecle, Concerning the activity of sense-The aesthetics of Kitaro Nishida in the Meiji-Taisho era. Watsuji Tetsuro and the discoveries of the Japaneseness : From the "Resurrection of Idolatry" to the "Styles of Eastern Art", On the concept of "literature" in the early aesthetics of Shuzo Kuki.

本研究计划包括由调查人员和演讲嘉宾在研究会议上提出的报告，同时积极收集文献资料。项目期间共召开了21次研究会议，共提交了28份报告。研究对象不仅限于美学，还延伸到哲学、文学、音乐学等领域。通过这一研究，我们可以看到明治大正时代对日本现代美学的认识进入了一个新的阶段。西庵启蒙哲学中的美认识论与善美价值论的关系、日本近代化背景下的“比居”——从普遍文明到文化民族主义、津口昭代与《书斋新津》中的“小说艺术理论”改革——论《书斋新津》时代的“美学”状态、日本“书斋”概念的确立、茶道在日本文化论中的地位“守”在Ongakurigai中的地位、高山清流的美学思想、比较与类型：大冢安次美学、岛村浩津美学——关于月夜美感的争论、“守”的领域：20世纪日本趣味论的转型、夏目漱石文论中的天才观——世纪末堕落论的影响、关于感觉活动的思考——明治大正时期西田北太郎的美学。越次哲郎与日本性的发现——从“偶像崇拜的复活”到“东方艺术的风格”——论久树修三早期美学中的“文学”概念。