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A Comparative study on sound expression, sound perception and aesthetic consciousness among the peoples in Central Borneo

婆罗洲中部人民声音表达、声音感知和审美意识的比较研究

基本信息

批准号：
07610048
负责人：
SIMEDA Takasi
金额：
$ 1.41万
依托单位：
Shimane University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1996
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610048/
关键词：
Borneo Kalimantan Sarawak Penan Kenyah music サラワククニヤ音

项目摘要

In order to achieve the objectives shown in the proposal, computer-aided data processing has undertaken. The data dealt here could be divided into three categories. The first is verbal information obtained by myself directly through field researches conducted from 1983 to 1996 (tape-recorded and/or written down). The second category consists of sound recordings, still photos, videotaped materials, and, though very few, some written or printed materials obtained from the field. Thirdly, there are many articles and books concerning the area, mostly by the Europeans as early as late 1880s. By virtue of the recent high performance of personal computers, most of the data concerned were digitalized. Analysis and intepretation based on these data resulted the following :(1) The Penan Gang (or Aput) and Punan Benalui are the same group.(2) These Penan (Punan) people stopped contacting each other since as late as the middle of the 19th century.(3) These Penan (Punan) people have had close contact with the Kenyah Badeng and the Kenyah Umaq Pawa for a long time.(4) Sound expression, sound perception and aesthetic consciousness among these Penan groups are strikingly the same.(5) There are considerable differences on all points of above (4.) between the Kenyah concerned and the Penan groups, though there are some general similarities on the aspects of performing practice and musical form.(6) The Penan musical tradition has been, presumably, maintained through the consistent sense of sound and aesthetic consciousness based on their kinaesthetic (motor) sense.

为了实现提案中所示的目标，已经进行了计算机辅助数据处理。这里处理的数据可以分为三类。第一种是我本人从1983至1996年间进行的实地调查中直接获得的口头资料(录音和/或记录)。第二类包括录音、静止照片、录像材料，以及从实地获得的一些书面或印刷材料，尽管数量很少。第三，关于这一地区的文章和书籍很多，大多是欧洲人早在19世纪80年代末就写的。由于个人电脑最近的高性能，有关的大部分数据都已数字化。根据这些资料的分析和解读，得出以下结论：(1)槟榔帮(或Aput)和普南·贝纳鲁伊是同一个群体。(2)这些槟南族(普南族)直到19世纪中叶才停止联系。(3)这些槟南族与Kenyah Badeng和Kenyah Umaq Pawa保持着长期的密切联系。(4)这些Penan族之间的声音表达、声音知觉和审美意识都是惊人的相同。(5)在上述各点上，这些Penan(Punan)人都有相当大的差异。虽然在表演实践和音乐形式方面有一些总体上的相似之处，但有关的凯尼亚人和毗尼亚人之间存在着一些相似之处。(6)据推测，培尼亚人的音乐传统是通过基于他们的动觉(运动)感觉而保持一致的音响感和审美意识来维持的。