A study on the expression of nature in religious paintings of East Asia

东亚宗教绘画中自然表现的研究

• 批准号: 07610054
• 负责人: SUDOH Hirotoshi
• 金额: $ 1.28万
• 依托单位: Hirosaki University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1995
• 资助国家: 日本
• 起止时间: 1995 至 1996
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610054/
• 关键词: East Asia; Buddhist painting; Landscape; Religion; 宗教絵画; 自然観; 来迎図; 説話

In the religious paintings of East Asia, we can see several points on the expression of nature. This means that China, Korea and Japan these regions have each original trends on expressing nature motif. I have researched hundreds of paintings and studied this theme through the project. Finally I found out next three points.1.Depicting the landscape in religious painting had started in T'ang dynasty. And it succeeded to Korea and Japan. However, before 12th century how about in Korea we cannot know for very poor works.2.In Japan, from late Heian period, originally thought and expressing of nature had become clearly.3.Among such paintings in Japan, most originally expressing of nature is found in "Raigo-paintings". At there religious motif and natural motif are each worthy in a picture.And through this research project, I have fully used photo retouching programs on computer. It obtained very good results. In the study of Japanese Art History, such technical results by personal study is very rare. So this research project has got a good model.

在东亚的宗教绘画中，我们可以看到几点关于自然的表达。这意味着中、韩、日三国在表现自然母题上各有独到之处。我研究了数百幅画作，并通过这个项目研究了这个主题。最后，我发现了以下三点：1.宗教绘画中的山水画始于唐代。它继承了韩国和日本。但是，在12世纪世纪以前，朝鲜的绘画作品如何，我们就不得而知了。2.在日本，从平安时代后期开始，对自然的原始思考和表达已经变得清晰起来。其中宗教主题与自然主题各有其价值，而透过本研究计画，我充分利用电脑上的修图程式。取得了很好的效果。在日本美术史的研究中，这样的技术性成果通过个人研究是非常罕见的。因此，本研究项目有一个很好的模型。

项目成果

須藤弘敏: "日本美術における金" 「かざりは生きている」辻惟雄編・角川書店. (刊行予定). (1997)

须藤博利：《日本艺术中的黄金》《Kazari is Alive》，辻伸男编，角川书店（1997年出版）。