A Study on Bunjin Literature in the Middle of the Edo Era

江户时代中期文真文学研究

• 批准号: 07610427
• 负责人: NAGASHIMA Hiroaki
• 金额: $ 1.41万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1995
• 资助国家: 日本
• 起止时间: 1995 至 1997
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610427/
• 关键词: bunjin; Tuga, Teisho; Takebe, Ayatari; Ueda, Akinari; kangaku; wagaku; 上田秋成

During fiscal 1997, that constitutes the last of the three years of this study project, research was made on the materials pertaining to the literary theory of three bunjin writers of the period, to wit, Teisho Tuga, Ayatari Takebe and Akinari Ueda. At the same time, survey of the previous two years was supplemented by an additional collection of the data on their learning, atrt and social intercourse. As a result, the following peices of information have been obtained, that are arranged in the form of 'Report of Research Results', together with a chronological list of work of Akinari, the most typical bunjin of the three.1. The three writers were all engaged both in verse and prose (yomihon). Of these two genres, we can extract from their writings their theory on verse, including haikai, kata-uta and waka. On the contrary, it is impossible to do the same on prose, with the exception of Akinari's allegorical view of creative writing. Besides the historical background in which literary theory had evolved chiefly around verse, we see their consciousness as bunjins at work that valued poetry more than novels.2. Although the three devoted themselves to different kinds of verse, they all exhibited interest both in vulgar and noble literature. Nevertheless, they eventually esteemed the latter (kanshi, kata-uta, waka) above the former (haikai, kyoshi) under the apparent influence of detached attitude characteristic of bunjins.3. The three could develop fresh and flexible theory of literature because they were bunjins and as such engaged in literature by way of one of their multiple activities. Akinari's allegorical theory of novels and essential theory of waka, as well as Ayatari's theory of kata-uta, were only possible on the strength of this consciousness as bunjins who believed in being versatile.

在本研究项目三年的最后一年即1997年度，对当时的三位文人作家，即图贺帝章、武部绫成和上田秋成的文学理论资料进行了研究。同时，在前两年调查的基础上，增加了学习、态度、社会交往等方面的资料。因此，以下是以“研究结果报告”的形式整理的资料，以及三人中最典型的文人秋成的作品年表。1.这三位作家都从事诗歌和散文（yomihon）。在这两个流派中，我们可以从他们的作品中提取他们的诗歌理论，包括海凯，片歌和和歌。相反，在散文上也不可能做到这一点，除了秋成的寓言式创作观。除了文学理论主要围绕诗歌发展的历史背景外，我们还看到他们作为文人的意识在发挥作用，重视诗歌而不是小说。虽然三人致力于不同类型的诗歌，他们都表现出对庸俗和高尚文学的兴趣。然而，在文人特有的超然态度的明显影响下，他们最终将后者（kanshi，kata-uta，waka）置于前者（haikai，kyoshi）之上。他们三人之所以能够发展出新颖而灵活的文学理论，是因为他们都是文人，而且都是以文人的身份从事文学活动的。秋成的小说寓言理论和和瓦卡的本质理论，以及阿亚塔里的片歌理论，只有在这种意识的力量下才有可能成为相信多才多艺的文人。