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The Correspondence of Sound by Today's Electronic Appliances with Mystification by and of Sound at the Beginning of the Twentieth Century

当今电子设备的声音与二十世纪初声音的神秘化的对应

基本信息

批准号：
09610545
负责人：
TSUKUWA Masanori
金额：
$ 0.96万
依托单位：
HOKKAIDO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 1998
项目状态：
已结题

项目摘要

This study attempts to examine the change of consciousness of sound by considering literary works as "witnesses of ears" at the turn of the 20th century for the purpose of finding out its first indications.However, we don't confine our study to sound in literature, but combine it both with the physiological studies on sound and auditory organ and with the history of electromagnetic inventions and discoveries in the 19th century that brought telephone and gramophone into being.From such a new combined point of view, we can find out that sound started to separate from reality and referent at the beginning of the 19th century and that it finally came to the pure culture of the isolation of sound, called "Schizophonia", reaching its climax in the unphysical spiritual form of "telephone" with natural voices by electromagnetic artificial oscillations. Such pure separation develops greatly and variously as the century turns into the 20th centuryEverything starts with quantitative analysis of sound at the beginning of the 19th century. It separates and liberates the hearing of sound from reality and referent, which also brings about a mystification of separated sound, and turns the fact of the lost of reality into a free and joyful flying like angel's flight to the heaven.The flood of electronic artificial sound and separation from referent and reality of today results from the change of consciousness of sound at the beginning of the 20th century. Our study which tries to point out the first indications of such critical sound consciousness and clear up its linear continuity from the beginning of the19th century through today corresponds to today's great interest in sound in Japan and is, we believe, ahead of it.

本研究试图以20世纪之交的文学作品作为“耳朵的见证者”来考察声音意识的变化，以期找到其最初的迹象。但是，我们的研究并不局限于文学中的声音，而是将其与声音和听觉器官的生理学研究以及19世纪带来电话和留声机的电磁发明和发现的历史结合起来。从这样一个新的结合点出发由此看来，我们可以发现，声音在19世纪初就开始脱离现实和指涉，最终到达了声音隔离的纯粹文化，即“精神分裂症”，并以通过电磁人工振荡产生自然声音的“电话”这一非物质精神形式达到了顶峰。随着世纪进入20世纪，这种纯粹的分离得到了巨大而多样的发展。一切都是从19世纪初对声音的定量分析开始的。它将声音的听觉与现实和指涉物分离和解放，也带来了分离声音的神秘感，将现实迷失的事实变成了天使飞向天堂般的自由快乐的飞翔。当今电子人造声的泛滥以及指涉物和现实的分离，是20世纪初声音意识转变的结果。我们的研究试图指出这种批判性声音意识的最初迹象，并澄清其从 19 世纪初到今天的线性连续性，符合当今日本对声音的巨大兴趣，并且我们相信，它是领先的。