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MODERN FOLKLORE STUDIES FOR FOLKLORISM IN THE PROCESS OF REVIVAL AND TRANSPLANTATION OF FESTIVAL EVENTS,AND INVENTION OF LOCAL CULTURES

节庆活动复兴与移植过程中的民俗学与地方文化的创造的现代民俗学研究

基本信息

批准号：
08610323
负责人：
YAGI Yasuyuki
金额：
$ 0.77万
依托单位：
KWANSEI GAKUIN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1997
项目状态：
已结题

项目摘要

This research project was to analyze the process in which many festival events and folk performing arts are transformed, transplanted or invented, and aquire meanings, and generate people's identity in local context in modern Japan. First, the investigator redefined the idea of folklorism, developed by the German Volkskunde in early 1960s, and, secondly, tried to apply it to the selected festival events and folk performing arts. Those events and arts are the Fukue Festival in Fukue City, Goto islands, Nagasaki Prefecture, the Nio Dragon Festival in Nio Cho in Kagawa Prefecture, Shikoku Island, the local drum troupes in Hiroshima and Kagawa Prefectures, the local exposition held in Gifu Prefecture in 1988, and the Shirotori Bon Dance in Shirotori Cho, Gifu Prefecture. The investigator conducted the field research for each of those festival events and folk performing arts. The resuls are as follows. 1. After transplanting the Aomori Nebuta lantem float into the Fukue Festival scene as main program, the festival captured more popularity than before. 2. The Nio Dragon was originally a small straw dragon made by peasant people praying it for stopping the drought, and now it plays a principal role in the festival event organized by the local town office. 3. The local drum troupes are still in vogue in all parts of Japan. This boom is a process of inventing tradition among rural people through the folk performing arts. 4. The Local Exposition in Gifu was an opportunity when many festivals and performing arts were revaluated, reorganized and reproduced as symbols representing local idylic value. 5. The Shirotori Bon Dance was once an active form of recreation among the folk. Today, it is gradually becoming a tourism resource of local area.

本研究旨在分析近代日本许多节庆活动和民间表演艺术在地方语境中被转化、移植或发明、获得意义和产生人们认同的过程。首先，研究者重新定义了民俗学的概念，由德国人Escherskunde在20世纪60年代初发展起来，其次，试图将其应用于选定的节日活动和民间表演艺术。这些活动和艺术包括：长崎县后藤诸岛上江市的上江节、四国岛香川县鸟町的鸟龙节、广岛县和香川县的地方鼓队、1988年在岐阜县举行的地方博览会以及岐阜县白取町的白取苯教舞。调查者对每一个节庆活动和民间表演艺术进行了实地调查。结果如下。1.在将青森的白塔灯作为主要节目移植到了花祭现场后，花祭比以前更受欢迎。2.尼奥龙最初是农民们用稻草做的小龙，祈求它能阻止干旱，现在它在当地镇政府组织的节日活动中扮演着主要角色。3.在日本各地，地方鼓队仍然很流行。这种繁荣是通过民间表演艺术在农村人民中发明传统的过程。4.岐阜地方博览会是一个机会，当许多节日和表演艺术被重新评估，重组和复制作为代表当地田园诗价值的象征。5.白鸟苯教舞曾经是民间一种活跃的娱乐形式。如今，它正逐渐成为当地的一种旅游资源。