THE STUDY OF RESTORATION FOR THE VOTIVE PICTURE TABLETS PAINTING IN PRE MODERN TIMES (EDO PERIOD)

我们和去年一样，连续投资了修复者的祈愿画板和Kisyuu Thosyu的祈愿画板。通过对KISYUU THO YOU牌位的调查发现，这些牌位都是由KISYYU家族的私人画家修复的，继承的绘画、美术和祈愿画板之间存在着不同的现状。佛牌画在寺庙和神殿中处于自然状态，它们是用来表达谢意或祝愿的，所以人们几乎没有考虑过修复。因此，修复技术、修复方法、修复材料不规范，修复存在诸多问题。修复造成了原画的破坏或丢失，麒麟氏私人画家按照常规修复了祈愿碑，但他们不得不使用其他方式来使用。例如，停止在油漆上撒尿。即使油漆工只知道提供胶水来阻止剥落，他们也要反复尝试才能找到收集的方法。那些去掉原画后仍在原样重绘的碑，现在仍保持着良好的状态，但另一些忠实地追寻原画或阻止剥落颜料的碑，情况却很差。我认为这是由于修复的方式造成的，画家的修复技巧也可能是原因之一。此外，祈愿像碑在修复时有时会重新燃起火焰。

We investegated the votive picture tablets painting which have taken restorations and Kisyuu Thosyogu's votive picture tablets, continuously as last year. We found through the investgation of kisyuu Thosyogu's tablets, all of them were restorated by private painters of the Kishyuu clan.There is different cercumstance between inherited paintings, fine arts and votive picture tablets. The votive picture tablets painting were in natural condition in temples and shrines, and they were dedicated for thanks or wishes so people hardly consider about restorations. So restoration technique, method, materials were not standardized and the restorations have many problems. Restorations caused destruction or loseing of original painting.The private painters of the Kisyuu clan restorated the votive picture tablets conventionally, but they had to use other way as useual. For example, to stop peeing off the paints. Even if painters understood just to supply glue to stop peeling off, they had trial and error to supply glue to find collect way. The ones which were templetely repainting after removeing original paints have remained good condition still now, but others which were traced the original painting faithfully or to stop pelintg off the paints were in bad condition.I think that were caused by the way of restoration and the painters skill of restoration might be a cause, too.And the flames of votive picture tablets were sometimes renewed when they were restorated.