Researches for Restoration and Technique of Muddy picture Coloring in Modern Small Votive Picture, Otsu Picture and Doll

本文通过对祈愿画、泥人画、大津画的色彩数量、色彩材料的调查，沿着分析一个时代的特征，一个相同点。我们选择了一个地方的一个每一个地方的一种类型的Fusimi娃娃，这是没有提到的生产年龄，并打算在许愿图片大规模生产。至于许愿画的色彩基础，已经发现有从黄土到白垩的时代转移趋势。有土壤的底色和娃娃的基础色素。因此，很难从同一个角度来考虑作为一个许愿画。我们认识到，许愿画和玩偶之间有一点相同之处，它们将基本颜色分为浅色系统和白色系统。例如，檀红和印度红在黄土基础的情况下对于红色系统的着色是忙碌的。大津图与许愿图、玩偶之间没有从一个调查标记的数量上进行比较。但大津图片被发现社区与许愿图片和娃娃关于着色。作为从保存方面分析的结果，在许多作品上发生颜料剥落。它们的不同之处在于生产后的保存条件。公司庙和供画堂相对露天的地方，由于经常悬挂供画，造成许多颜料剥落。

We investigated the number of color and coloring material, which is used on votive picture, clay figure and Otsu picture and went along an analysis about a characteristic of an era, a point of sameness. We selected a local doll of an every place in a type of Fusimi doll, which was not a mention of production age, and intended for a mass production in votive pictures. As for a coloring basis of votive pictures, it was already found to tend to shift from loess to chalk by an era. There were the ground color of soil and a basis pigment of a doll. So, it was difficult which consider in the same point of view as a votive picture. We recognized to a point of sameness between votive pictures and dolls, which classify a basis color by a pale system and a white system as for the coloring pigment. For example Tan and Indian red are busyness as for coloring of a red system in the case of a loess basis.There were not compared from fewness of an investigative mark between Otsu picture and votive pictures, dolls. But Otsu picture was discovered community with votive pictures and dolls with regard to coloring. As the result that those were analyzed in respect of preservation, peeling of pigment was occurred on lots of works. These differ by the keeping condition after the time when it is produced. Since votive pictures frequently were hung on the place, which is relatively to take open air of a company temple and a votive picture hall, they were caused many peeling of pigment.