Studies for the No playrs of Shundo group, before the early Edo period

江户初期之前的春道组无玩家研究

• 批准号: 08610452
• 负责人: KINOSHITA Fumitaka
• 金额: $ 1.47万
• 依托单位: Hiroshima Women's University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1996
• 资助国家: 日本
• 起止时间: 1996 至 1997
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610452/
• 关键词: Nogaku; Waki-Yakusha; the Shundo group; the Hosho group; No-Actors; history of the Performing Arts; text at No; secret document at Utai

1.This research project has followed "The Research for the Records of No-Performances and the Making up the Chronology about No-Performances" (Grant-in Aid for Scientific Research 1991-1993, Project Number 03301054, Head Investgator Prof.Akira OMOTE) on researching for the history of No-Performances ; moreover, it has continued from the preceding my studies for the Kinsei as utai-culture, starting from "Reprint and Study of 'Yoza-Oyakusha-Tekagami'(Comment of No-Actors in Jokyo era, around 1687)" (The Bulletin of The National Institute of Japanese Literature vol.18,1992).2.This research project aims at using the Records of No playrs in the early Edo period as documents of the history for the Nogaku, in particular for various activities of Waki-Yakusha (the support of the No-Performances).3.I have researched into the documents about lineages of the Shundo family and the Hosho family, then I have tried to decide their lineages. In the process of this research I have discovered the "Gokerai-no-Kogi-Meshidasaru-Mono" (the Goverment official in the Tokugawa-Bakufu from the ranks of rulal Hagi Clan), and acknowledged it that it's very important data about the Shundo and Hosho families.4.I have researched into the "No-Bangumi" (the records of No-Performances)performed by the Shundo family and the Hosho family as well as their followers.5.I have studied various activities of the Shundo group and the Hosho group in Rulal Clans, Kaga, Sendai, Kumamoto, Hagi, Tosa, Owari, Kishu, Mito, Satsuma, Hiroshima, Toyama, Suwa, Okayama, Iwakuni, Matsumoto, Matsuyama, and Kyoto in the early Edo period, then I have been convinced of the fact, they worked a wide field and they performed in every place beyond our expectation.

1.本研究项目遵循“无表演记录及无表演年表的研究”（1991-1993年科学研究资助项目，项目编号03301054，首席研究员Akira OMOTE教授）对无表演的历史进行研究；而且，它延续了我之前对金声作为歌文化的研究，从“《夜座御役者手上》（1687年前后京京时代的无演员评论）的重印和研究”（国立日本文学研究所公报第18卷，1992年）开始。 2.本研究项目旨在使用江户时代早期的无演员记录作为文献 能乐的历史，特别是胁夜叉的各种活动（对无表演者的支持）。3.我研究了有关春藤家族和凤翔家族血统的文献，然后我试图确定他们的血统。在研究过程中，我发现了“Gokerai-no-Kogi-Meshidasaru-Mono”（来自乡萩氏的德川幕府官员），并承认这是有关春藤家族和凤翔家族的非常重要的数据。 4.我研究了春藤家族和凤翔家族的“No-Bangumi”（无演出记录）。 5.我研究了江户初期在加贺、仙台、熊本、萩、土佐、尾张、纪州、水户、萨摩、广岛、富山、诹访、冈山、岩国、松本、松山、京都等乡野氏族的春道氏族和宝氏氏族的各种活动。 那时我已经确信，他们工作的领域很广泛，他们在每个地方的表现都超出了我们的预期。

项目成果

Fumitaka KINOSHITA: "A Study for the playrs of the Mori Clan in the Edo period" "KINSEI-BUNGAKU-FUKAN"(compiled by Prof.Tsuyoshi Hasegawa, printed by Kyuko-Shoin). 473-487 (1997)

木下文隆：《江户时代森氏演奏者研究》《金星文学风馆》（长谷川刚教授编，急行书院印刷）。

樹下文隆: "岩国の渋谷伝書をめぐって" 橘香. 42・8. 14-15 (1996)

岸田文隆：“关于岩国的涩谷电商”立花香织 42・8（1996）。

樹下 文隆: "地方諸藩に見る能役者の活動-萩藩・岩国藩の演能記録を中心に-" 国際日本文学研究集会会議録. 19. 156-170 (1996)

Fumitaka Kishita：“地方封建领域中的能剧演员的活动 - 关注萩和岩国领域的能剧表演记录”国际日本文学研究会议论文集 19. 156-170 (1996)。

Fumitaka KINOSHITA: "A Densho writeen by Shibuya owned by the Iwakuni City Historical Museum" Kikko. 42/8. 14-15 (1996)

Fumitaka KINOSHITA：“岩国市历史博物馆收藏的涩谷所写的传书”Kikko。

Fumitaka KINOSHITA: "Function of Noh Performers in Rural Clans-With particular reference to the records of the Iwakuni and Hagi Clans in the early Edo period" Proceedings of the 19th International Conference on Japanese Literature. 19. 156-170 (1996)

木下文隆：《能剧表演者在乡村氏族中的作用——特别参考江户时代早期岩国氏和萩氏的记录》第十九届国际日本文学会议论文集。