Studies for the No playrs of Shundo group, before the early Edo period

江户初期之前的春道组无玩家研究

• 批准号: 08610452
• 负责人: KINOSHITA Fumitaka
• 金额: $ 1.47万
• 依托单位: Hiroshima Women's University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1996
• 资助国家: 日本
• 起止时间: 1996 至 1997
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610452/
• 关键词: Nogaku; Waki-Yakusha; the Shundo group; the Hosho group; No-Actors; history of the Performing Arts; text at No; secret document at Utai

1.This research project has followed "The Research for the Records of No-Performances and the Making up the Chronology about No-Performances" (Grant-in Aid for Scientific Research 1991-1993, Project Number 03301054, Head Investgator Prof.Akira OMOTE) on researching for the history of No-Performances ; moreover, it has continued from the preceding my studies for the Kinsei as utai-culture, starting from "Reprint and Study of 'Yoza-Oyakusha-Tekagami'(Comment of No-Actors in Jokyo era, around 1687)" (The Bulletin of The National Institute of Japanese Literature vol.18,1992).2.This research project aims at using the Records of No playrs in the early Edo period as documents of the history for the Nogaku, in particular for various activities of Waki-Yakusha (the support of the No-Performances).3.I have researched into the documents about lineages of the Shundo family and the Hosho family, then I have tried to decide their lineages. In the process of this research I have discovered the "Gokerai-no-Kogi-Meshidasaru-Mono" (the Goverment official in the Tokugawa-Bakufu from the ranks of rulal Hagi Clan), and acknowledged it that it's very important data about the Shundo and Hosho families.4.I have researched into the "No-Bangumi" (the records of No-Performances)performed by the Shundo family and the Hosho family as well as their followers.5.I have studied various activities of the Shundo group and the Hosho group in Rulal Clans, Kaga, Sendai, Kumamoto, Hagi, Tosa, Owari, Kishu, Mito, Satsuma, Hiroshima, Toyama, Suwa, Okayama, Iwakuni, Matsumoto, Matsuyama, and Kyoto in the early Edo period, then I have been convinced of the fact, they worked a wide field and they performed in every place beyond our expectation.

1.本课题是继“无表演记录与无表演年表编制研究”（科研资助1991-1993，项目编号03301054，首席研究员OMOTE明教授）之后，对无表演历史进行研究；此外，它从我之前对近世作为uttaiculture的研究延续至今，从““Yoza-Oyakusha-Tekagami”（1687年左右Jokyo时代的无演员评论）的再版与研究”（国立日本文学研究所公报，1992年第18卷）开始。2 .本研究项目旨在利用江户早期的《无奏录》作为能乐社的历史文件，特别是对无奏社的各种活动的支持。我研究了关于善多家族和善正家族血统的文献，然后我试图确定他们的血统。在这个研究过程中，我发现了“Gokerai-no-Kogi-Meshidasaru-Mono”（德川巴库府的政府官员，来自于乡土萩族的行列），并承认这是关于善多和星正家族的非常重要的资料。我研究了顺多家族和Hosho家族以及他们的追随者所演奏的“No-Bangumi”（no - performance的记录）。我研究了江户时代早期的顺都派和星正派在Rulal氏族、加贺、仙台、熊本、萩、土佐、小笠、木曙、水户、萨摩、广岛、富山、水和、冈山、岩国、松本、松山和京都的各种活动，然后我确信了一个事实，他们工作的领域很广，他们在每个地方都表现得出乎我们的意料。

项目成果

Fumitaka KINOSHITA: "A Study for the playrs of the Mori Clan in the Edo period" "KINSEI-BUNGAKU-FUKAN"(compiled by Prof.Tsuyoshi Hasegawa, printed by Kyuko-Shoin). 473-487 (1997)

木下文隆：《江户时代森氏演奏者研究》《金星文学风馆》（长谷川刚教授编，急行书院印刷）。

樹下文隆: "岩国の渋谷伝書をめぐって" 橘香. 42・8. 14-15 (1996)

岸田文隆：“关于岩国的涩谷电商”立花香织 42・8（1996）。

樹下 文隆: "地方諸藩に見る能役者の活動-萩藩・岩国藩の演能記録を中心に-" 国際日本文学研究集会会議録. 19. 156-170 (1996)

Fumitaka Kishita：“地方封建领域中的能剧演员的活动 - 关注萩和岩国领域的能剧表演记录”国际日本文学研究会议论文集 19. 156-170 (1996)。

Fumitaka KINOSHITA: "A Densho writeen by Shibuya owned by the Iwakuni City Historical Museum" Kikko. 42/8. 14-15 (1996)

Fumitaka KINOSHITA：“岩国市历史博物馆收藏的涩谷所写的传书”Kikko。

Fumitaka KINOSHITA: "Function of Noh Performers in Rural Clans-With particular reference to the records of the Iwakuni and Hagi Clans in the early Edo period" Proceedings of the 19th International Conference on Japanese Literature. 19. 156-170 (1996)

木下文隆：《能剧表演者在乡村氏族中的作用——特别参考江户时代早期岩国氏和萩氏的记录》第十九届国际日本文学会议论文集。