Studies for the No playrs of Shundo group, before the early Edo period

江户初期之前的春道组无玩家研究

• 批准号: 08610452
• 负责人: KINOSHITA Fumitaka
• 金额: $ 1.47万
• 依托单位: Hiroshima Women's University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1996
• 资助国家: 日本
• 起止时间: 1996 至 1997
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610452/
• 关键词: Nogaku; Waki-Yakusha; the Shundo group; the Hosho group; No-Actors; history of the Performing Arts; text at No; secret document at Utai

1.This research project has followed "The Research for the Records of No-Performances and the Making up the Chronology about No-Performances" (Grant-in Aid for Scientific Research 1991-1993, Project Number 03301054, Head Investgator Prof.Akira OMOTE) on researching for the history of No-Performances ; moreover, it has continued from the preceding my studies for the Kinsei as utai-culture, starting from "Reprint and Study of 'Yoza-Oyakusha-Tekagami'(Comment of No-Actors in Jokyo era, around 1687)" (The Bulletin of The National Institute of Japanese Literature vol.18,1992).2.This research project aims at using the Records of No playrs in the early Edo period as documents of the history for the Nogaku, in particular for various activities of Waki-Yakusha (the support of the No-Performances).3.I have researched into the documents about lineages of the Shundo family and the Hosho family, then I have tried to decide their lineages. In the process of this research I have discovered the "Gokerai-no-Kogi-Meshidasaru-Mono" (the Goverment official in the Tokugawa-Bakufu from the ranks of rulal Hagi Clan), and acknowledged it that it's very important data about the Shundo and Hosho families.4.I have researched into the "No-Bangumi" (the records of No-Performances)performed by the Shundo family and the Hosho family as well as their followers.5.I have studied various activities of the Shundo group and the Hosho group in Rulal Clans, Kaga, Sendai, Kumamoto, Hagi, Tosa, Owari, Kishu, Mito, Satsuma, Hiroshima, Toyama, Suwa, Okayama, Iwakuni, Matsumoto, Matsuyama, and Kyoto in the early Edo period, then I have been convinced of the fact, they worked a wide field and they performed in every place beyond our expectation.

1.本研究课题是继《不作为记录研究与不作为年表编订》之后的又一研究课题（1991 - 1993年科学研究补助金，项目编号03301054，首席研究员Akira Omote教授），研究不履约的历史;而且，从“Yoza-Oyakusha-Tekagami的重印和研究”开始，它继续了我之前对Kinsei作为utai文化的研究（1687年左右，《东京时代的无名演员》的评论）（国立日本文学研究所公报1992年第18期）2.本研究课题旨在利用江户时代早期的《无戏者志》作为野学的历史文献，特别是对和木药师的各种活动（支持不表演）。3.我研究了有关顺藤摸瓜家族和星章家族的血统的文件，然后我试图确定他们的血统。在这个研究过程中，我发现了“Gokerai-no-Kogi-Meshidasaru-Mono”。（德川幕府的政府官员，来自统治的Hagi氏族），并承认这是关于顺藤摸瓜和星章家族的非常重要的数据。4.我研究了"无班组"（不表演的记录）由顺藤摸瓜家族和Hosho家族及其追随者执行。5.我研究了顺藤摸瓜集团和Hosho集团在统治氏族中的各种活动，加贺、仙台、熊本、Hagi、土佐、尾张、纪州、水户、萨摩、广岛、富山、冈山、岩国、松本、松山、京都在江户早期，然后我一直相信的事实，他们的工作范围很广，他们在每一个地方的表现都超出了我们的预期。

项目成果

Fumitaka KINOSHITA: "A Study for the playrs of the Mori Clan in the Edo period" "KINSEI-BUNGAKU-FUKAN"(compiled by Prof.Tsuyoshi Hasegawa, printed by Kyuko-Shoin). 473-487 (1997)

木下文隆：《江户时代森氏演奏者研究》《金星文学风馆》（长谷川刚教授编，急行书院印刷）。

樹下文隆: "岩国の渋谷伝書をめぐって" 橘香. 42・8. 14-15 (1996)

岸田文隆：“关于岩国的涩谷电商”立花香织 42・8（1996）。

樹下 文隆: "地方諸藩に見る能役者の活動-萩藩・岩国藩の演能記録を中心に-" 国際日本文学研究集会会議録. 19. 156-170 (1996)

Fumitaka Kishita：“地方封建领域中的能剧演员的活动 - 关注萩和岩国领域的能剧表演记录”国际日本文学研究会议论文集 19. 156-170 (1996)。

Fumitaka KINOSHITA: "A Densho writeen by Shibuya owned by the Iwakuni City Historical Museum" Kikko. 42/8. 14-15 (1996)

Fumitaka KINOSHITA：“岩国市历史博物馆收藏的涩谷所写的传书”Kikko。

Fumitaka KINOSHITA: "Function of Noh Performers in Rural Clans-With particular reference to the records of the Iwakuni and Hagi Clans in the early Edo period" Proceedings of the 19th International Conference on Japanese Literature. 19. 156-170 (1996)

木下文隆：《能剧表演者在乡村氏族中的作用——特别参考江户时代早期岩国氏和萩氏的记录》第十九届国际日本文学会议论文集。