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The Cultural Study of Caricature in the Victorian England with Special Reference to Punch

维多利亚时期英国漫画文化研究（特别是拳击）

基本信息

批准号：
08610476
负责人：
SHINO Michio
金额：
$ 1.22万
依托单位：
Mie University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1998
项目状态：
已结题

项目摘要

Our purpose in this research project was twofold : one was to see the various aspects of the cultural phenomena reflected in the caricatures illustrated in Punch that entertained great popularity in the Victorian England, and to comprehend the structure of the central ideology which dominated the period. The other end was to trace the historical development of caricature images in Europe in comparison with the precedent caricatures and survey the growth of the modern ideology through the iconographical study of satirical images.In the report of the research, the first chapter is 'The Visual Representation of Satirical Mind' where we concluded that the satirical mind which attacks human folly is ultimately based on the trust of the human goodness, and the satirical instinct is spontaneously represented in the visual images, which gives rise to caricature, In the same chapter we summarized the principal techniques of caricature and the objects against which caricature is directed. In the second chapter, 'The History of the European Caricature', we clarified that in the modem era caricature begins to have the growing power of propaganda after it was combined with the modern journalism. In the third and final chapter entitled 'A Study of the English Caricature in Punch' we dealt with John Leech whose caricature contributed to the characterization of early Punch.. Looking into hiscaricatures, we learned that they have what is called the English sense of humour and the middle class sense of value, and these traits made Punch popular among the Victorian people.

本研究的目的有两个：一是了解维多利亚时期英国流行的《笨拙》漫画中所反映的文化现象的各个方面，并理解这一时期占主导地位的中心意识形态的结构。另一方面，通过对讽刺图像的图像学研究，追溯讽刺图像在欧洲的历史发展，并通过对讽刺图像的图像学研究来审视现代意识形态的发展。在研究报告中，第一章“讽刺心灵的视觉表征”，我们得出结论：讽刺心灵攻击人类的愚蠢，最终是建立在对人类善良的信任之上的，讽刺本能在视觉形象中自然地表现出来，从而产生了漫画。在同一章中，我们总结了漫画的主要技巧和漫画所针对的对象。在第二章“欧洲漫画史”中，我们阐明了漫画在近代与现代新闻业相结合后，开始具有日益强大的宣传力量。在第三章，也是最后一章，题为“潘趣中的英国漫画研究”，我们讨论了约翰·利奇，他的漫画对早期潘趣的刻画做出了贡献。通过观察他的漫画，我们了解到他们有所谓的英国幽默感和中产阶级的价值观，这些特点使潘趣在维多利亚时代的人们中很受欢迎。