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The Adoption and Absorption of Chinese Painting Theories in Middle and Modern Ages Japan

日本中近现代对中国画理论的吸收与吸收

基本信息

批准号：
10610061
负责人：
KONO Michifusa
金额：
$ 1.22万
依托单位：
Osaka Prefecture University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610061/
关键词：
painting theories discussions of appreciation pin-deng, classification GENJI-MONOGATARI, The Story of Genji KOKON-CHOMONJU, The Record of Hearsay of Past and Present KUNDAIKAN-SOCHOKI, The Appreciatory Manual of Ashikaga Shogunate Art Consultant

项目摘要

This project had a three-year plan. 1998 : The investigation into the literature of chinese painting theories. 1999 : The investigation of Japanese documents about painting in ancient and medieval times. 2000 : Examining the books of painting theories in modern ages, the general report through three years.In Chapter 1 of the report, to make the basis of painting theories, I attempted to put the literature about chinese painting in order according to the two elemental ideas, 1 : the argument of appreciation (or connoisseurship), 2 : the argument of producing (or painting). The argument 1 is classified into six groups, (1)the discussion of relative merits among the subjects, (2)the classifications of painters, (3)the subject categories (or genres), (4)the painting schools, (5)the catalog of painting, (6)the biography of painters. The argument 2 into five groups, (1)the discussion of encouragement and admonishment in the subject, (2)the Six Laws, (3)the discussion of landscape painting, (4)literati painting, (5)the manual of painting. Those gradually evoluted under the influences of chinese philology in the early days and under that of the living manual of literati after Sung Dynasty.In Chapter 2, it was studied which kind of argument mentioned above influenced japanese literature on painting. As the result, there proved that 1 : a descriptive limit of real existence was pointed out in the Story of Genji, and that was similar to the idea of Huai-na-zi and Lun-heng, 2 : the kinds of literature like Lidai-minghua-ji were accepted to Kokon-chomonju through the anthology Taiping-guangji, 3 : the style of Kundaikan-sochoki, the document of known uniqueness, was concluded to be the earlier example of the living manual of literati.Because of a vast quantity of the arguments on literati painting after Kyoho Era, I could not give them my full consideration. From now on, further investigations will be expected to accomplish.

这个项目有一个三年计划。1998年：中国画理论文献研究。1999年：调查日本古代和中世纪绘画文献。二○年：通过对近三年来中国绘画理论著作的梳理，本文第一章试图从两个基本的角度对中国绘画理论文献进行梳理：一是鉴赏（或鉴赏）之说，二是创作（或绘画）之说，为绘画理论的梳理奠定基础。论证一分为六类：（1）学科优劣论，（2）画家分类，（3）学科类别（或流派），（4）画派，（5）绘画目录，（6）画家传记。第二部分分为五组，（1）劝谏主体论，（2）六律论，（3）山水画论，（4）文人画论，（5）画工论。这些论述在早期的中国文字学的影响下和宋代以后文人生活手册的影响下逐渐演变。第二章探讨了上述论述对日本绘画文学的影响。结果证明：1.《源氏物语》指出了真实的存在的描述限度，这与《淮南子》、《论衡》的观点相似; 2.《丽代名花记》等文学类型通过《太平广记》被《国光长文集》接受;《昆代观画谱》的风格被认为是文人生活手册的早期范例，因为巨峰时代以后关于文人画的大量争论，我不能给他们我的充分考虑。从现在开始，进一步的调查将有望完成。