The Study of Painting History in the Wei, Jin, and the Southern and Northern Dynasties in China, especially about the Tomb Wall Paintings

中国魏晋南北朝绘画史研究，尤其是墓室壁画

• 批准号: 20520088
• 负责人: KONO Michifusa
• 金额: $ 3万
• 依托单位: Osaka Prefecture University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2008
• 资助国家: 日本
• 起止时间: 2008 至 2012
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-20520088/
• 关键词: 美術史; 魏晋南北朝; 壁画; 墳墓; 鮮卑; 陵墓; 異獣; 石獣; 辟邪; 天禄; 獅子; 婁叡墓; 徐顕秀墓; 太原; 魏晋; 南北朝; 十六国; 五胡

According to the findings of research for wall paintings of Lou Rui's Tomb, Xu Xianxiu's Tomb in Shanxi, and Fuyemiaowan Wei-Jin Tomb in Dunhuang, there might be clear about the following matters. First, the painting of Northern Dynasties, especially Northern Qi, shows the characteristic style of the other ethnic group with high completeness while the Wei-Jin painting was under the strong influence of Han dynasty style. And the oval face style of Northern Qi mural affected the Tang dynasty painting. Second, Northern Qi paintings made great progress in depicting human figures in groups and in depth expression, and made preparations for the perspective representation of landscape painting in Tang dynasty.

根据对楼瑞墓、山西许贤秀墓、敦煌阜野庙湾魏晋墓壁画的研究发现，可能有以下几个问题。首先，北朝绘画，特别是北齐绘画，表现出高度完整的外族特色风格，而魏晋绘画则受到汉代风格的强烈影响。北齐壁画的椭圆形面貌风格影响了唐代绘画。其次，北齐绘画在人物的群体性刻画和深度表现方面取得了长足的进步，为唐代山水画的透视表现做了准备。

项目成果

北斉徐穎(徐顕秀)墓壁画の造形的特徴-北朝人物画様式の一典型-

北齐徐瑛墓壁画的造型特征——北朝人物画风格的典型——

• 发表时间: 2011
• 作者: 篠崎未来;田中修二;篠崎未来・田中修二;長志珠絵;田中修二;田中修二;長志珠絵;田中修二;河野道房
• 通讯作者: 河野道房