Study on the Pictorial Representation of 3-Dimensional Space in Japanese Paintings from the Graphic Scientific Point of View

从图形科学的角度研究日本画三维空间的图像表现

基本信息

批准号：
10650634
负责人：
UEDA Hiroshi
金额：
$ 1.66万
依托单位：
Kumamoto Univ.
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10650634/
关键词：
Japanese painting narrative picture scroll architectural space graphic science angle of inclining line visual ray angle of depression azimuth angle 吹抜屋台視線方向斜線吹板屋台

项目摘要

We analyzed pictorial representations of 3-dimensional space in 42 Emaki (narrative picture scrolls), which were created from twelfth to fifteenth century, by means of measuring the angles and the lengths of the inclining lines and by means of calculating the visual rays.We found that (1) 65.5% of the 928 buildings were drawn by a horizontal line, a perpendicular line, and a right-side upward-inclining line (type R), 22.7% used a left-side upward-inclining line (type L), and 11.1% used a perpendicular line and both left-and right-side upward-inclining lines (type B), (2) 25.9% of the 475 scenes were drawn by the method of "Fukinuki-Yatai" (drawing method of rooms from above, whose ceilings and roofs were removed), and 47.2% of the fukinuki-yatai scenes were drawn in monogatari-emaki (scrolls of romantic and secular tales ) and 34.1% of those were drawn in engi-emaki (didactic scrolls with Buddhist and Shinto topics), (3) the angles of upward-inclining lines were became smaller bit by bit in chronological order, (4) the angles of upward-inclining lines used in type B were smaller than those in type R and L, (5) the mean angle drawn in monogatari-emaki is larger than that in kyousetu-emaki (didactic scrolls of the doctrines of Buddha), setuwa-emaki (scrolls of legendary stories) and engi-emaki, (6) with regard to type R and L the angles of depression of the visual rays in kyousetu-emaki were smaller than those in the others, and (7) with regard to type B the angles of depression in monogatari-emaki were larger than those in others, the angles of depression in kyousetu-emaki were smaller than those in others, and the range of azimuth angles in kyousetu-emaki was wider than those in others.

我们通过衡量（通过衡量倾斜线的角度和长度）来分析了42个Emaki（叙事图片卷轴）的3维空间的图形表示，这些图表是从13世纪到15世纪创建的向上的线路（R型），22.7％使用左侧向上的线（L型），11.1％使用了垂直线线，左侧和左侧的左侧和右侧线（B型），（2）25.9％的475个场景是通过“ fukinuki and the Orfers and from sovers and from from forkinuki and the Orferes and forkinuki and the Offine coply and forkinuki and yatai”（drawe and yatai and drawe and drawe and drawe and drawe and drawe abter yag y yatai''（图）在Monogatari-emaki（浪漫和世俗的故事的卷轴）中绘制了47.2％的场景，其中34.1％是在Engi-emaki中绘制的（与佛教和shinto主题的教义卷轴），（3）较小的线条逐渐变成了较小的序列（3）较小的类型（4）（4）（4）（4），（4）逐个序列（4）（4），（4）是在Chrondine of contrand-typer-inter-infore in thit（4）（4）（4）（4）（4）（4）thit cons in Contrand in Chornodical intery（4）（4）（4）（4） B比R型和L中的B小，（5）单播 - emaki中绘制的平均角度大于Kyousetu-emaki（佛陀教义的教义卷轴），Setuwa-emaki，Setuwa-emaki（传奇故事）和Engi-Emaki（6）的视觉and（6）的视觉效果（6）的视觉效果（6）的视觉效果（6）在其他方面，关于B型的（7），单播i-emaki中的抑郁症角度比其他抑郁症大，京都 - 埃马基（Kyousetu-Emaki）的抑郁症角度比其他抑郁症小，而Kyousetu-emaki中的方位角范围比其他方面的角度更大。