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The Basic Research on Formative Process of Noh Drama in the Ages of Middle and Latter Muromachi Era

室町中后期能剧形成过程的基础研究

基本信息

批准号：
11610453
负责人：
TAKEMOTO Mikio
金额：
$ 2.69万
依托单位：
Waseda University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2000
项目状态：
已结题

项目摘要

I investigated the Noh-authors at post-Zeami period and their style. Collecting not only the texts of the works by contemporary authors, but also the works by unknown authors, making a database on pictures of Utai-bon, I made investigation into works of Noh drama with that database.I got two results from the investigation of works of Noh drama. One is that I could investigate and researched into the works that has the exactly different style from Zeami's Yugen-Noh, especially into the works about the battles of warriors. The other is that I could investigate whole works written by Noh-author Miyamasu.In fact, before Zeamis appearance there had already been many works of Noh drama which warriors appear in. But under the Ages of Zeami, such works were rarely written. Then post-Zeami period had come, that kind of works became popular again ; Genzaino-works, describing battles between warriors, were written one after another.Miyamasu has been considered a mysterious author for a long time. But this research proved that there was a strong possibility that he was a Noh-dayu of Ise-Sarugaku's origin, had a big roll at post-Zeami period, lived Shimokusu in the Province Ise, and worked around the Province of Ise and Yamato. It also appeared a possibility to conclude that he was Miyamasu Jiro-Goro who was employed as the Tsuzumi-Player by Kanzeza-School belonging to Yamato-Sarugaku and died in 1465 A.D. In Nohon Sakusha Chumon, there are ten pieces of works named for Miyamasu's work and it had never been distinguished between true or false. But through this investigation, it was confirmed that many of those ten works that have Mugen-Noh Style were even made in Genzai-Noh's way. Now we can imagine his style wholly differently.

本文考察了后齐阿密时期能剧作家的创作风格。我不仅收集了当代作家作品的文本，还收集了不知名作家的作品，制作了一个关于宇泰峰图片的数据库，并利用这个数据库对能剧作品进行了调查。一个是我可以调查和研究与Zeami的Yugen-Noh风格完全不同的作品，特别是关于战士战斗的作品。另一个是我可以研究能剧作家宫益的全部作品。事实上，在Zeamis出现之前，已经有许多能剧作品出现了武士。但在Zeami时代，这样的作品很少被写出来。后来进入后泽米时代，这类作品又开始流行，描写武士之间战斗的玄斋野作品层出不穷，宫益长期以来被认为是一位神秘的作家。但这项研究证明，有一个很大的可能性，他是一个能大禹的伊势猿学的起源，有一个大卷在后Zeami时期，生活在下须省的伊势，并在周围的伊势省和大和。它也出现了一种可能性，得出结论，他是宫增次郎五郎谁是受雇为津津，球员由Kanzeza学校属于大和猿学，死于公元1465年在Nohon Sakusha Chumon，有十件作品命名为宫增的工作，它从来没有区分真假。但通过这次调查，可以肯定的是，这十件具有无源能风格的作品中，有许多甚至是以源在能的方式制作的。现在我们可以想象他的风格完全不同。