On Japanese Aesthetics in Edo-era

论江户时代的日本美学

• 批准号: 12610056
• 负责人: AOKI Takao
• 金额: $ 1.41万
• 依托单位: HIROSHIMA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2000
• 资助国家: 日本
• 起止时间: 2000 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610056/
• 关键词: Japanese aesthetics; Geidoh; Geinoh; traditional arts; performing arts; habitus; Edo; Zeami; 芸道; 遊芸; 能楽; 隠者

With the introduction and implantation of Western cultures into Japan, traditional Japanese arts and cultures were screened and arranged according to the modern concepts and systems of the arts in Western society. Before being.adopted as a translated term, Geijutsu(藝術) was originally one of the educational subjects for the warrior class who ruled the society and states as bureaucrats and servants for feudal lords. Geijutsu in Edo is compared to the six arts, Liuyi (六芸) in China. Though this educational idea of artistic practice for cultivation in Edo has still remained alive, but is covered in the process of modernization, Geijutsu became the term which means western arts, namely high arts, at the expense of losing this historical background. Geinoh(藝能) was considered to mean the remaining aspects of pre-modem society, which were slighted as a negative heritage of old Japan. In these traditional artistic field, the idea of artistic cultivation has been highly esteemed. While Geidoh(藝道) which means the artistic practice to cultivate the artist, has been repressed under the hegemony of Western cultures, it has recently rivived. This field is called Gei-goto, Narai-goto or Keiko-goto. This aspect of artistic exercise denotes the cultivative relationship, between doing and self. This field has been culturally established through a process of modernization of JapanI could elucidate the concept and the significance of artistic practice of Geidoh in the field of Geinoh through historical-philosophical analysis of the transformation of Japanese aesthetics from Edo-era through modernization to present days

With the introduction and implantation of Western cultures into Japan, traditional Japanese arts and cultures were screened and arranged according to the modern concepts and systems of the arts in Western society. Before before.adopted as a translated term, Geijutsu(ART) was originally one of the educational subjects for the warrior class who ruled the society and states as bureaucrats and servants for feudal lords. Geijutsu in Edo is compared to the six arts, Liuyi (liu yun) in China. Though this educational idea of artistic practice for cultivation in Edo has still remained alive, but is covered in the process of modernization, Geijutsu became the term which means western arts, namely high arts, at the expense of losing this historical background. Geinoh(Yi Neng) was considered to mean the remaining aspects of pre-modem society, which were slighted as a negative heritage of old Japan. In these traditional artistic field, the idea of artistic cultivation has been highly esteemed. While Geidoh(Artistic Path) which means the artistic practice to cultivate the artist, has been repressed under the hierarchy of Western cultures, it has recently survived. This field is called Gei-goto, Narai-goto or Keiko-goto. This aspect of artistic exercise denotes the cultivative relationship, between doing and self. This field has been culturally established through a process of modernization of JapanI could elucidate the concept and the significance of artistic practice of Geidoh in the field of Geinoh through historical-philosophical analysis of the transformation of Japanese aesthetics from Edo-era through modernization to present days

项目成果

青木 孝夫: "日本の中世に於ける隠者の美学"日韓日学研究会報告書(梨花女子大学). 8. 36-52 (2000)

青木隆夫：《中世纪日本的隐士美学》日韩日本研究小组报告（梨花女子大学）。8. 36-52（2000）。

青木 孝夫: "変身する身心文化(その二)"体育科教育. 53-55 (2000)

Takao Aoki：“转变身心文化（第 2 部分）” 53-55 (2000) 体育。

青木 孝夫: "江戸儒学における<藝>の文化的位置付けを巡って"科学研究費報告書『「感性の学」の新たな可能性-その意義と限界』(研究代表者山縣煕). 245-258 (2001)

青木隆夫：《论<艺术>在江户儒家中的文化定位》科学研究资助报告《‘感性研究’的新可能性——其意义和局限性》（首席研究员：山形彰）245。 - 258 (2001)

青木 孝夫: "日本近代化与藝術的変遷"文藝研究 第126期 中国藝術研究院. 126. 62-66 (2001)

青木隆夫：《日本的现代化与艺术变迁》中国美术学院文献研究第126期126. 62-66（2001）。

青木 孝夫: "書評『ポピュラー藝術の美学』"美術フォーラム. 2,2. 179-181 (2000)

Takao Aoki：“书评‘流行艺术美学’”艺术论坛2,2。