The Research of Dazai Osamu's Original Handwriting

太宰治手迹研究

• 批准号: 12610443
• 负责人: ANDO Hiroshi
• 金额: $ 2.24万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2000
• 资助国家: 日本
• 起止时间: 2000 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610443/
• 关键词: DAZAI OSAMU; handwriting; the Museum of MOdern Japanese Literature; 太宰治; 原稿; 翻刻; 原稿(肉筆資料)

Of all Dazai Osamu's original handwriting, close to 80 percents of manuscripts have been donated to the Museum of Modern Japanese Literature by his family, and collected in "Dazai Osamu Bunko " at the museum. Nevertherless, because the research of these manuscripts require considerable amount of time and manpower, the most of them have remained untouched. I examined marks of corrections and erasions for all twenty-two works, total of 2,648 pages that are not included in the corpus, and collected the findings into a two-part booklet. Firstly, in the initial year of the research, I examined storing conditions of the collections nationwide together with a preparation of equipments, and held numerous discussions with the Museum of Modern Japanese Literature. In the second year, I was able to conduct luable researches on Dazai's original handwriting owned by the Museum of Modern Literature in Aomori. From the second year to the fourth year, concurrently with the above researches, we systematically examined the manuscripts with cooperations from operation assistants. The findings of these researches not only greatly contribute to the access to the future "Dazai Bunko" owned by the museum but also become a truly valuable material which allows researchers, residing in distant places including overseas and having difficulties accessing the texts, to command a whole view of Dazai's manuscripts. Furthermore, I consider that I have exhibited an actual example of a way the manuscript research of modern literature is conducted by recreating the writing process which an author proceeds writing with making corrections to his/her original texts. In addition to above, this research was the first case for the museum to receive a permission to conduct a research on important materials with the Grant-in-Aid for Scientific Research. Moreover, the research also shows various possibilities for future joint researches of the museum's collection

在所有Dazai Osamu的原始笔迹中，他的家人已经向现代日本文学博物馆捐赠了近80种手稿，并在博物馆收集了“ Dazai Osamu Bunko”。从来没有任何事情，因为对这些手稿的研究需要大量的时间和人力，因此大多数人仍然没有受到影响。我检查了所有二十二个作品的校正和擦除标记，总共有2,648页，这些页面未包含在语料库中，并将调查结果收集到了两部分的小册子中。首先，在研究的最初一年中，我研究了在全国范围内存储收藏的条件以及准备设备的准备，并与现代日本文学博物馆进行了许多讨论。在第二年，我能够对Aomori现代文学博物馆拥有的Dazai原始笔迹进行可笑的研究。从第二年到第四年，与上述研究同时，我们系统地检查了手稿与操作助理的合作。这些研究的发现不仅有助于博物馆拥有的未来“ Dazai Bunko”，而且还成为了一种真正有价值的材料，该材料使研究人员居住在遥远的地方，包括海外和访问文本，可以全面了解Dazai的手稿。此外，我认为我已经展示了一个实际的例子，说明了现代文学的手稿研究是通过重新创建作者对其原始文本进行校正来进行写作过程来进行的。除上述内容外，这项研究是博物馆获得对重要材料进行研究许可的第一个案例。此外，该研究还显示了博物馆收藏的未来联合研究的各种可能性

项目成果

安藤宏: "太宰治 弱さを演じるということ(ちくま新書)"筑摩書房. 218 (2002)

安藤宏：“太宰治：演奏弱点（千曲新书）”千曲书房 218 (2002)。

安藤宏: "作家と原稿用紙-太宰治の場合"『太宰治と檀一雄』(山梨県立文学館). 41-41 (2000)

安藤浩：《作家与稿纸——太宰治的案例》《太宰治与丹和夫》（山梨县立文学博物馆）41-41（2000）。

ANDO Hiroshi: "On DAZAI OSAMU as a performer of weakness"Tikumashobo. 218 (2002)

安藤宏：“谈太宰治作为弱点的表演者”Tikumashobo。

安藤 宏: "検証・太宰治の昭和二十三年"國文學 解釈と教材の研究. 47-14. 6-20 (2002)

安藤浩：《验证：太宰治的1945》日本文学解读与教材研究47-14（2002）。

ANDO Hiroshi: "The topics of the scratch papers in DAZAI OSAMU's later years"Reserch notebook of the Museum of Modern Literature in Aomori. NO.2. 43-53 (2001)

安藤宏：《太宰治晚年草稿纸的主题》青森县近代文学馆研究笔记本。