The Research of Dazai Osamu's Original Handwriting

太宰治手迹研究

• 批准号: 12610443
• 负责人: ANDO Hiroshi
• 金额: $ 2.24万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2000
• 资助国家: 日本
• 起止时间: 2000 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610443/
• 关键词: DAZAI OSAMU; handwriting; the Museum of MOdern Japanese Literature; 太宰治; 原稿; 翻刻; 原稿(肉筆資料)

Of all Dazai Osamu's original handwriting, close to 80 percents of manuscripts have been donated to the Museum of Modern Japanese Literature by his family, and collected in "Dazai Osamu Bunko " at the museum. Nevertherless, because the research of these manuscripts require considerable amount of time and manpower, the most of them have remained untouched. I examined marks of corrections and erasions for all twenty-two works, total of 2,648 pages that are not included in the corpus, and collected the findings into a two-part booklet. Firstly, in the initial year of the research, I examined storing conditions of the collections nationwide together with a preparation of equipments, and held numerous discussions with the Museum of Modern Japanese Literature. In the second year, I was able to conduct luable researches on Dazai's original handwriting owned by the Museum of Modern Literature in Aomori. From the second year to the fourth year, concurrently with the above researches, we systematically examined the manuscripts with cooperations from operation assistants. The findings of these researches not only greatly contribute to the access to the future "Dazai Bunko" owned by the museum but also become a truly valuable material which allows researchers, residing in distant places including overseas and having difficulties accessing the texts, to command a whole view of Dazai's manuscripts. Furthermore, I consider that I have exhibited an actual example of a way the manuscript research of modern literature is conducted by recreating the writing process which an author proceeds writing with making corrections to his/her original texts. In addition to above, this research was the first case for the museum to receive a permission to conduct a research on important materials with the Grant-in-Aid for Scientific Research. Moreover, the research also shows various possibilities for future joint researches of the museum's collection

在太宰修的全部手稿中，有近80份手稿被其家人捐赠给了日本现代文学博物馆，并收藏在博物馆的“太宰修文库”中。然而，由于这些手稿的研究需要大量的时间和人力，其中大部分都没有被触及。我检查了所有22部作品的更正和擦除标记，总共2，648页未包括在语料库中，并将结果收集到一本分为两部分的小册子中。首先，在研究的最初一年，我检查了全国收藏品的储存条件，并准备了设备，并与现代日本文学博物馆进行了多次讨论。第二年，我对青森现代文学博物馆拥有的太宰原笔迹进行了令人信服的研究。第二年至第四年，在上述研究的同时，我们在操作助理的配合下对稿件进行了系统的检查。这些研究成果不仅对博物馆未来的《太宰文库》有很大的贡献，而且也成为一种真正有价值的材料，使居住在遥远的地方，包括海外，难以获得文本的研究人员能够全面了解太宰的手稿。此外，我认为我展示了一个现代文学手稿研究的实际例子，即通过重新创建作者在对原文进行修改的情况下进行写作的过程。除此之外，这项研究是博物馆第一次获得批准，利用科学研究补助金对重要材料进行研究。此外，本研究也显示未来共同研究博物馆藏品的各种可能性

项目成果

安藤宏: "太宰治 弱さを演じるということ(ちくま新書)"筑摩書房. 218 (2002)

安藤宏：“太宰治：演奏弱点（千曲新书）”千曲书房 218 (2002)。

ANDO Hiroshi: "On DAZAI OSAMU as a performer of weakness"Tikumashobo. 218 (2002)

安藤宏：“谈太宰治作为弱点的表演者”Tikumashobo。

安藤宏: "作家と原稿用紙-太宰治の場合"『太宰治と檀一雄』(山梨県立文学館). 41-41 (2000)

安藤浩：《作家与稿纸——太宰治的案例》《太宰治与丹和夫》（山梨县立文学博物馆）41-41（2000）。

安藤 宏: "検証・太宰治の昭和二十三年"國文學 解釈と教材の研究. 47-14. 6-20 (2002)

安藤浩：《验证：太宰治的1945》日本文学解读与教材研究47-14（2002）。

ANDO Hiroshi: "The topics of the scratch papers in DAZAI OSAMU's later years"Reserch notebook of the Museum of Modern Literature in Aomori. NO.2. 43-53 (2001)

安藤宏：《太宰治晚年草稿纸的主题》青森县近代文学馆研究笔记本。