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Research on the development of Japanese puppet show-Rasira of the folk puppet, as the materials

以民间木偶拉西拉为素材研究日本木偶剧的发展

基本信息

批准号：
12610454
负责人：
OYATSU Sanae
金额：
$ 1.41万
依托单位：
Showa Women's University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

I have done the investigation of about 4500 Kashira(puppet heads). I grappled with the theme about the development process in Unazuki form of Kashira, There is "Hikisen-type "Kozaru-type" and "Burari-type" in Unazuki form. I submitted a hypothesis about the following development process by interpreting the distribution conditions of each form with Shukenron of folklore: "Hikisen-type" is a just new form "Kozaru-type" is the way of manipulating of the preceding age. "Buraritype" was transformed after "Kozaru-type" became modern ages. And, it is "Enbabo-type" to become a key to clear up the process of the change to three puppet manipulators from a puppet manipulator. "Enbabo-type" is left in Kashira by three puppet manipulators and a puppet manipulator, and it can be predicted "Enbabo-type" is Unazuki form located in a former stage in "Kozaru-type". And, the true nature of the puppet and the origin of the puppet lurk in Sanbaso and Shikisanba in the puppet. Sanbaso and Shikisanba in the puppet took in Shikisanba of the Noh play But when Kashira of the whole country was investigated, there was a big difference between Shikisanba of the Noh play and Sanbaso and Shikisanba in the puppet. Though it was considering that the origin of Shikisanba of the puppet was the early stages of the Edo period or before that in the research till now I thought that an original religion-like puppet exists from the early time, and during the latter part of the Edo period Shikisanba form of the Noh play was adopted in the puppet as a result of my analysis of that difference. From now on, I collect more materials, and want to make my hypothesis a more reliable thing.

我做了大约4500个卡希拉（傀儡头）的调查。我抓住了关于卡希拉的Unazuki形式的发展过程的主题，Unazuki形式中有“Hikisen型“Kozaru型”和“Burari型”。通过对各形态的分布状况进行民俗学的“修宪论”的解释，提出了如下发展过程的假设：“彦千型”是一种新的形态，“小杂型”是上一个时代的操纵方式。“小杂鲁型”成为近代后，“Buraritype”发生了变化。而且，它是“恩巴博型”成为一个关键，以明确的过程中，从一个木偶操纵器到三个木偶操纵器。卡希拉的“远番型”是由三个木偶和一个木偶遗留下来的，可以预测“远番型”是“小杂鲁型”中处于前一阶段的宇月型。而木偶的本质和木偶的起源就潜藏在木偶中的三八和四季三八中。木偶戏中的三巴索和四季三巴吸收了能剧中的四季三巴，但在对全国的卡希拉进行调查时，能剧中的四季三巴与木偶戏中的三巴索和四季三巴有很大的不同。在迄今为止的研究中，虽然一直认为木偶戏的四季三场起源于江户时代的早期或更早，但我认为从早期开始就存在原始的宗教般的木偶，而在江户时代后期，由于我对这种差异的分析，木偶戏采用了四季三场形式的能剧。从现在开始，我收集更多的材料，并希望使我的假设更可靠的东西。