Changes in the Method of Puppet Manipulation in the Ningyo Joruri Puppet Theater -Verification and Rproduction of the Teppouzashi-

这一挑战的目的是验证如何操纵的teppouzashi是在早期的文乐定位和unazuki结构的历史发展，并认为这一发展过程如何有助于先进的木偶操作技术的文乐。在铁布扎的案例中，通过访谈和其他调查方法，研究了据说是江户系统的神奈川的5个座位相模木偶剧。调查结果产生的数据允许复制江户系统teppouzashi头和它是如何操作的，并制作了20分钟DVD形式的视频材料，详细介绍了这一过程。

This challenging seeks as its object to validate how the manipulation of the teppouzashi is positioned in early-stage Bunraku and the historical development of the unazuki structure and considers how this development process contributed to the advanced puppet operation techniques of Bunraku. In the case of teppouzashi, the 5 seat Sagami puppet plays of Kanagawa Prefecture which are said to be of the Edo system were studied via interviews and other survey methods. The survey results produeced data which allowed the reproduction of the Edo system teppouzashi head and how it was manipulated, and video material in the form of a 20 minute DVD was produced detailing this procedure.