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A Sociocultural Study on Representations of the Mediterranean World in the English Renaissance Drama

英国文艺复兴时期戏剧中地中海世界表现的社会文化研究

基本信息

批准号：
12610515
负责人：
OZAWA Hiroshi
金额：
$ 1.28万
依托单位：
Kwansei Gakuin University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610515/
关键词：
England Renaissance Drama Culture Mediterranean イギリス

项目摘要

The aim of this project was to examine theatrical representations of the Mediterranean world in the early modem English drama in terms of the saciocultural negotiations of the contemporary poetic imaginations and the Other. The scope of the study extended to include such remote areas as Asia Minor, the Mediterranean coast of Africa and the Spanish Iberian Peninsula. By the extension, representations of not only Jewish people but the Moors and their problematic exploitation in the English Renaissance drama have become topics under examination in relation to the Other in the Old World and the images of the New World entertained by the colonial West. Treating the related subject with Dr Janet Clare of University College Dublin, I co-lead the seminar 'Spain and Early Modem Drama' at the Seventh World Shakespeare Congress in Valencia. Along with the Congress, my paper 'Inscribing the Other. Shylock Reconsidered' was published in Shakespeare wo Manabu Hito no Tameni [Research Opportunities for Shakespeare] (Kyoto : Sekai Shiso-sha, 2000). The essay discusses the Renaissance anti-Semitism in terms of the triangular relationship of Venice, the xenophobic London and the Jew. I developed the theme in my next essay 'O Monstrous! Monstrous! : Othello and the Invisible Other', Shakespeare wo Yominaosu [Re-reading Shakespeare] (Tokyo : Kenkyusha, 2001), in which I examined the theatrical rhetoric of expressing and erasing of the marginal culture, which in its turn informed the Eurocentric history of Shakespeariana in general. My project successfully shed new light on the sociocultural bearing on theatrical representations of the Mediterranean world in the English Renaissance drama.

这个项目的目的是研究在早期现代英语戏剧中地中海世界的戏剧表现，从当代诗歌想象和他者的saciocultural谈判的角度。研究范围扩大到包括小亚细亚、非洲地中海沿岸和西属伊比利亚半岛等偏远地区。推而广之，英国文艺复兴时期戏剧中对犹太人和摩尔人的再现以及对他们的问题性剥削，已经成为与旧世界的他者和殖民西方所娱乐的新世界形象相关的研究主题。与都柏林大学学院的珍妮特克莱尔博士一起处理相关主题，我在瓦伦西亚举行的第七届世界莎士比亚大会上共同主持了“西班牙和早期现代戏剧”研讨会。沿着国会，我的论文“铭记他者”。《重新思考夏洛克》发表在《莎士比亚的研究机会》（京都：世界新闻社，2000年）。本文从威尼斯、排外的伦敦和犹太人的三角关系来探讨文艺复兴时期的反犹主义。我在我的下一篇文章“啊，蒙托！蒙纳蒂：奥塞洛和看不见的人“，莎士比亚wo Yominaosu [重读莎士比亚]（东京：Kenkyusha，2001），在其中我检查了表达和擦除边缘文化的戏剧修辞，这反过来又通知了一般的欧洲中心主义历史的莎士比亚。我的项目成功地阐明了社会文化的影响，在英国文艺复兴时期的戏剧地中海世界的戏剧表现。